Sleeve of Hearts

Hey. Good morning, good afternoon, or good evening wherever you are.

This is my first post for 2025. It’s a bit late, but I’ve been fairly inconsistent with these over the last couple years. Or, maybe I’m consistently inconsistent. 

I want to talk about a project I was a part of at the tail end of 2024. It’s called Sleeve of Hearts, a poetry anthology. 

“Poetry?” you asks? 

Yeah, poetry. I know, I know. I don’t write poetry. Well … that’s not necessarily true. You see …

Wait. Wait. Concentrate. Too many voices in my head. 

I’m not here to discuss me writing poetry. I’m here to tell you about Sleeve of Hearts, a poetry anthology put out by Lindsey Goddard and Weird Wide Web. What started out as a contest over at the Weird Wide Web website with a possible ten winners, quickly morphed into something much larger. Instead of limiting the contest to those ten winners, Goddard decided to turn it into an anthology. 

You see, Goddard asked the authors considering submission to bare their souls, to essentially put their hearts on their sleeves. When I write poetry, it’s always a baring of my soul. There’s such raw emotion in every poem. Almost every poet I know is exactly the same. Poetry can be whimsical and fun, but more often, it’s a way to deal with deep, deep scars, traumas, hurts, disappointments, depression, anxiety, and anger.

I paid attention to Goddard during this, read her posts about it. The excitement she exuded about curating this book made me consider submitting. I knew the poem I wanted to submit, but I was hesitant. You see, my poem, is about suicide. It’s such a taboo subject and I don’t understand why. It’s an important topic we should talk more about. 

When I finally decided to send my piece in, I was, honestly, nervous. With the piece being so personal, I wasn’t sure how I felt about others reading it. Not that I didn’t think it was good. I fully believed it was, but I’m not a poet and I was asking my piece to be stacked against some amazing poets. And poetry, being personal, means there is a story behind it. It’s a story I’ve talked about a few times and it’s also why so many of my short stories over the last few years deal with the subject of suicide. I’ll discuss that at a later date.

For now, let me go back to December, to Goddard’s excitement, her exuberance, her determination that Sleeve of Hearts was going to be amazing. Having worked with her in the past, I really felt this could be something special, simply because she was baring her own soul right along with her authors. 

My poem was accepted the same day I sent it in. I was in. I was in.

The editing and formatting phases came and I received a copy to look over. I was to make sure my poem was formatted right, on the right page, my name was right and to go through it to make sure nothing more needed done to the poem. What I did was read the book, from beginning to end over a couple hours one morning. When I was finished, I thought, Holy cow, that was amazing. There are so many great pieces in this book. I was floored that I was alongside such amazing artists.

Sleeve of Hearts was released on December 29th and in less than a week had made it to number one in the Poetry Anthologies category on Amazon. It was cool seeing that ranking for a few days.

Now that all the release buzz has died, I’ve taken another look at the anthology. It’s better than I thought. There’s so much heart, so much pain, so much realness in this collection of poems. It’s insane. I firmly believe this book will win some awards. Listen, y’all know me. I’m not about hyperbole. I don’t even sing such high praises for my own books. This is something special. 

So, now that you’ve read this far, this is where I ask you to get a copy of Sleeve of Hearts. This is where I say drop a handful of bills to read some amazing poetry. It doesn’t matter if you don’t read poetry—I don’t either, for the most part. It doesn’t matter if you find poetry bland—these pieces are far from bland. Many of these authors you’ve probably never heard of. Sleeve of Hearts is a piece of their voices, a piece you get to experience. 

Pick up a copy HERE. You will enjoy this book. Also, after you read it, you might search for some of the authors in here. You won’t regret that either. 

Thank you for swinging by on this cold day. Until we meet again, my friends, be kind to one another.

A.J.

Back to Square One

~Tap, tap, tap~

Is this thing on?

Oh, it seems to be.

Can you hear me out there? You can? Good.

Looking out over the crowded front yard, I see a lot of familiar faces, and a few I don’t recognize. Hey, Bart. How are you? And R.C., my man, things going well? Cate. Nice to see your pretty face. Crashman, glad you could make it. Thank you all for coming to this impromptu press conference.

Ahem.

The reason I called this little press conference is it seems I am back to square one with the short story collection.

What’s that, Herbie? Square one? Yes, square one.

Ummm… yes, I have the stories picked, though I may take one out and replace it with another one (or two).

Yes, I do have the Acknowledgements in place. Yes, the Dedication and In Memoriam as well.

What’s that, Herbie?

No, I don’t have the entire afterward in place, but about half.

Yes? What?

Yeah… ummm… I’m about to address that.

Now, if there are no further questions, I would like to begin this press conference again.

It looks like, though I won’t be starting completely from square one, I will be starting over in some respects.

I need to rework a portion of one story—it sounds too much like something a friend of mine wrote and I don’t want there to be any confusion or anything that could be construed as plagiarism. I realized this a couple of weeks ago, and have e-mailed my friend. She said part of it sounded like her piece, but that I could change it and it wouldn’t have any effect on the story itself.

If I can’t get the kink ironed out, the story will be retracted from the collection. Simple as that.

Then there is another issue, one that I didn’t think would be an issue at all.

Recently, my friend, Lucas Pederson, drew out an image that I thought would make a great–GREAT–image. I tagged it as the cover for Southern Bones and was excited that I finally had an image in place. Then I started playing with it, looking at it as a larger piece, then as a smaller piece—thumbnail size. I checked the image to figure out what it would look like on a Kindle or iPhone or even just on the computer.

Uh oh.

There’s a problem.

The black and white pencil art, though amazing in and of itself, may not work well as a digital book cover.

I’m unhappy about that.

Wait. There is another issue. The title, Southern Bones, may not work either. There are no bones in any of the stories. Sure, there are pieces of bone in one story, but that’s it.

What’s that, Herbie? I can still call the book Southern Bones even if there is no mention of bones?

Yes, I could, but it doesn’t seem to fit.

How did I come to that conclusion?

When I realized the cover image might not work, I started trying to figure out something that would. Cate and I took pictures, but nothing jumped out to us.

Can I still use the image that was drawn for the cover? Of course, but maybe not for the cover—the title just doesn’t seem to work the way I thought it would. Unless there is another definition to the term of ‘bones’ that I don’t know about.

There are those issues and a couple of others. I want lead-ins and maybe images. The pictures probably won’t happen, at least not in the book, but I’m going to look at it either way. Who knows?

I want to give the readers their money’s worth. In order to do that, I have to feel like if I purchased this collection, would I be satisfied that my money was well spent? Don’t you want to be happy with your purchase?

Well?

I would rather put something out later than I intended, than to put something out that I wouldn’t be happy with—and, consequently, the reader wouldn’t be happy with—and ended up regretting in the long run.

I know, I’ve put this off two other times, but I think it’s for the best. I may not be completely back to square one, but I’m close enough to know there is a LOT of work that still needs to be done in order to put out a quality collection.

Before we end this press conference, I would like to say I am considering releasing a book separate from the collection, one that compiles the first ten installments of Dredging Up Memories and some bonus content that is not on the Tales of the Zombie War website.

I’m very excited about the possibilities of this.

I guess that concludes the press conference. So, if there are any questions, ask away. If not, until we meet again, my friends…