Blood Drops #1

10/22/2024

Back in April of this year, I submitted my first piece in a long while. It was a nonfiction piece that was sent to Memento Mori Ink. In complete transparency it was a requested piece, so submitting it might be a stretch, though it could have still been rejected. I also sent a story to a contest around the same time. The story didn’t win, but it was nice to send a story out with hopes it would get published. 

In May, I sent two pieces to Lisa Vasquez for Napalm Psalms. I knew only one would get picked but I wanted her to have a choice. She chose the better of the two and one of my favorite psychological pieces titled, Duality. I sent one story out in June that was ultimately rejected.

Sending out those five pieces created an itch I haven’t had in a long, long time. So, in July I set out to submit thirty-one stories, one for each day of the month. It was a lot of work, but I managed to meet my goal. That put me at a total of thirty-six stories submitted on the year. Umm … I haven’t submitted thirty-one total stories combined since 2011. 

Let me tell you, the rejections rolled in. I mean, seriously. I received thirteen rejections in the span of two weeks, almost one a day. It was disheartening, but I knew this would happen, Then I received an acceptance for the Weird Wide Web’s podcast for my story, She’s A Vampire, I’m A Hobo. When I heard the story (done by Lindsey Goddard) I got really excited. 

Since then, I have really dug my heels in, trying to find places for my work. There is one very big problem, though: I’m not really a horror writer anymore. Sure, I write some darker words on dark, real life subjects, but I don’t write what I feel is stereotypical horror anymore. I’ve experimented with different styles and genres (like mystery, romance and literary, as well as poetry).

Even though trying to find paying markets is a little frustrating, I find I’m enjoying sending stories out. I’ve also been keeping track of all of the submissions in a spreadsheet. So, here are the latest statistics on the year:

Submissions: 64

Responses: 45

Rejections: 32 (bummer)

Acceptances: 13 (Awesome sauce)

Acceptance Rate: 28.9%

The acceptance rate is really good. I was hoping for something between 20%-25%, so I’m happy with that number. Thirteen acceptances is more than I have had in any year since 2010, when thirty-three stories were accepted. 

Of those thirteen acceptances, seven have already been published. Below are links to those seven stories. Please take a few minutes to check them out. Some of them are free to read, others are parts of books or magazines, so, yeah, there’s a purchase price.

I’m A Hobo, She’s A Vampire at The Weird Wide Web Podcast. 

The Hook of Relatability at Memento Mori Ink Magazine (Nonfiction)

The Scarring at Exquisite Death

Darkness at Dark Descent, Whispers From Beyond Volume III

Treats at the Aver Residence at Wilhelm Presents Frightening Tales

Wave at Micromance (yes, this is a love story)

Duality at Napalm Psalms 

Thank you for stopping by. Also, thank you for taking the time to look over some of those stories. I’m excited to be putting out work again.

If you have a few extra seconds, please take the time to like the post, leave a comment and share it with your friends. I greatly appreciate it.

Until we meet again, my friends, be kind to one another.

A.J.

A Conversation With Lindsey Goddard

In the many years I have been in this business, I have met a lot of writers. Many of them have passed out of my life through time. It’s the nature of things. Some of them have become like family. Again, the nature of things. Some of them have left horrible impressions and I have helped them exit my life. Yes, it’s them, not me. Then there’s people like Lindsey Goddard. Lindsey and I go way back to the early days of me seeking publication. We connected through social media, became Internet friends. We’ve both worked with publishers and have had our hands in quite a number of projects.

Lindsey has published a few of my stories in various places, like in the anthology, Quixotic: Not Every Day Love Stories. The story was Sunday, a non-traditional vampire love story. Then there was the piece, Release, a story no one would touch because of subject matter. She took it for the publication The Monsters Next Door, which is an appropriate title, given the subject matter of the story. Here, recently, she took my short story, I’m a Hobo, She’s A Vampire for her podcast on The Weird Wide Web

With all that said, let’s have a sit down with Lindsey Goddard.

Who: Lindsey Goddard

What: Writing, The Weird Wide Web, Podcast, Life

Why: I want to. Why else?

A.J.: Good morning, Lindsey. I hope you are doing well.

LG: Good morning, A.J. I am! I have fresh coffee. 😊

A.J.: Let’s jump right in here. Will you tell the world who Lindsey Goddard is?

LG: An author with roots in horror fiction who likes to sneak into other genres and darken them up as well! Haha. I make gothic arts and crafts, and the home décor in my house reflects as much. I enjoy blogging and connecting with other creatives. I’m currently working on my first True Crime book about murder in my home state of Missouri.

A.J.: You’ve been writing a long time, probably longer than I have. What got you started in writing?

LG: I won a Mother’s Day poetry contest in first grade. They framed my poem and gave me a dozen roses for my mom. It was the proudest moment of my young life. The next time I felt that rush was when I sold a short story to an indie ‘zine at the age of fifteen. It’s a feeling of gratification unlike any other. I’ve put writing aside many times in my life as my circumstances change … But I always find my way back.

A.J.: I think, as writers, and really any artists, we leave, but we’re always drawn back. The obsession is real. You like the darker things in literature. What is it about horror that appeals to you?

LG: Horror is real. It’s all around us, threatening to affect our comfortable daily lives. Watching the news has always given me a helpless, sinking feeling. But when I write horror, I take back my control. I can decide the outcome. Much safer to be the author than the character, I think.

A.J.: I agree with you there. I don’t want to be the victim of someone else’s horror story. Let’s change gears and talk about The Weird Wide Web. What led to you creating this?

LG: I purchased the domain at WeirdWideWeb.org in early 2020, but it took a while for the project to find its true purpose. Seems like everything stopped in 2020, doesn’t it? And the world is just now waking up again. 

The pot of Crazy Stew that is Weird Wide Web simmered on the back burner for a WHILE, and it got better in the process. My original plan was to blog and podcast, but now there are writing contests and much more fun to come.

A.J.: You do interviews and narrate stories on the podcast. First, how do you go about choosing the people you want to interview? Second, you do all the narration on the stories, including sound effects. How much goes into putting together the stories before they air?

LG: Although authors and artists are portrayed as impatient madmen in cinema, the truth is, they have an endearing resilience—this compulsion to connect with other people and get their work into the world. So, I never have to seek out my interviewees. They always find me!

I am discovering as the podcast grows that it’s pretty darn labor intensive, but with only two episodes a month, I’ll survive! I think!

A.J.: Do you have as much fun with the podcast as it sounds like you do?

I’m having so much fun, I’m going to change my middle name to Fun. Lindsey Fun Goddard. That’s me. That’s how freaking fun this podcast is! Find out more at: WeirdWideWeb.org/Podcast

A.J.: For The Weird Wide Web, what types of stories do you look for both for your contests and for the podcast?

LG: It’s funny because, to read the four winning contest entries we ended up with last contest, a person might assume I was looking for horror. I wasn’t. Neither was Mitzy Carter, my fellow submissions reader. We ended up with a Top 15 stories toward the end of judging the 157 entries. A couple were sci-fi, a few were dark fantasy, some satire, or speculative fiction that cannot be boxed into a genre. But in the end, we chose the stories that packed the most punch. Stories that were not only well-written, but made us go, “Wow, that was clever.”

And … As far as the podcast, I tell you … it just fell into harmony with the universe. The right stories have landed in my lap at the right times.  *hippie voice* The podcast is meant to be, man.

A.J.: Being longtime Internet Friends, I’ve watched you chase publishing as much as I have, taper off, then chase it again. Recently, I’ve noticed you enjoy submitting stories to various podcast. Why is this?

LG: Wow. What a great question, because I’ve never thought about the true reason for this until now: Podcasts and audiobooks saved my life. There was a point in my life where I was under so much STRESS that I couldn’t focus on books. I would read the same sentence TEN TIMES before absorbing it. My brain just wasn’t having it. But I did not want to live without fiction. In fact, I cannot live without fiction. So, I turned to podcasts and audiobooks. During this time, I began to really LOVE podcasts! Some made me feel like I was tuning in to an old dramatic radio broadcast in the 1940s and just getting lost in the story.

A.J.: Has this become somewhat of an addiction? 

LG: You tell me! I had a story on Creepy Podcast recently, and in the coming months I’ll have stories on Chilling Tales for Dark Nights, Nocturnal Transmissions, The Morbid Forest, and Wilhelm’s Frightening Tales, with submissions pending at even more podcasts! Haha.

A.J.: Oh, wow. That’s a lot of places. Congratulations on those. Now, the next question is always one of those tougher questions to answer, but if you could give yourself any advice (and it doesn’t matter what it is about it), what would that be?

LG: I would tell my younger self that I was worth more than the buzz inside the bottle when the world broke me, and I turned to alcohol. It only made it harder to piece myself back together.

A.J.: That’s some seriously good advice there. So many people could use that these days. One last thing, Lindsey. Where can the weird wide world find you?

LG: Well, if you’re into visiting websites that never get updated, I have great news! Here’s mine! http://www.LindseyBethGoddard.com

Also, I just released an expanded version of my 2016 novella, Ashes of Another Life, with never-before-published content, such as bonus material in the middle, an epilogue, and a prologue. The old version had 18 ratings on Amazon, and sadly, the new book hasn’t received any so far. If anyone would be so kind as to hop over there, read, and review, it would mean the world to me. Here’s the link: https://www.amazon.com/dp/B0DCXHPZBY

A.J.:Thank you for your time, Lindsey. I wish you well with The Weird Wide Web and your publishing endeavors. Have a great day and chase those dreams. 

LG: Thank you, A.J. I feel lucky to have stayed acquainted with you this long. You have remained on my social media despite me losing my mind a few times. Haha. Much appreciated! I look forward to our NEXT project together!

A.J.: Before I go, I want to say thank you for stopping by. Hit that like button at the end here and leave a comment if you don’t mind. Also, check out Lindsey through social media and her website and give the Weird Wide Web a look. Every set of eyes on a writer’s pages, every like, every comment, are motivators for artists of any type. 

Until we meet again, my friends, be kind to one another.

A.J.

Book Spotlight: Along the Splintered Path

Along the Splintered Path was released in 2012 by Dark Continents Publishing. It was my first experience, as a writer, having a publisher take a chance with my stories to the extent of releasing a short collection of them. For me, it was a massive learning experience. Sure, I had worked with editors and publishers before but on a single story basis, not a book focused solely on me. It was, to be honest, a little intimidating. I don’t know why—David Youngquist and his team were outstanding to work with. With Tracy McBride doing the editing, and being patient with me, especially given I had pneumonia during the editing phase.  

I will be completely honest here, the hardest part of the entire process was coming up with the title for the collection. I had no clue what to call it. Several weeks passed before my friend, Paula, came up with the title in a chat room.  

Why not call it Along the Splintered Path? 

It made complete sense to me. Each of the main characters had a prickly past of sorts. From Phillip, who lost his job, home and family and was living on the streets when his story started, to James, who was trying to save his marriage only to learn there was no saving it and ending up in a broken situation—in more ways than one—to Kyle and Kenneth, whose splintered childhoods were dominated by an angry father with a quick temper and a woodshed. 

Below is the synopsis for Along the Splintered Path

Life is a winding road. It turns and twists and forks and sometimes it comes to a dead end. It can narrow. It can widen. Sometimes, the road is short, while other times it goes on for miles. Sometimes the road is full of potholes. Other times it is smooth, and the ride is joyful. The road might be paved, or maybe it is a dirt road or a barely visible footpath.   

Each road—each path—we take leads us further on our journey. One road can lead to fortune and fame and another one can lead to ruins. Which road you take doesn’t guarantee you reach the destination the way you intended.  

What happens when you take a wrong turn? What happens when you follow the wrong path?  

Along the Splintered Path takes you on a journey of right and wrong, of paths chosen and lives altered. Come along as A.J. Brown tells us three stories of souls splintered by the events of life. How do they overcome those events, or do they overcome them at all? The answers could be the difference between sanity and madness. 

From Starburst Magazine: 

A.J. Brown’s debut novella presents three short stories of moralistic caution, human failings, and dark, unrelenting horror. He has a fresh, unique voice that brings the characters to life with a skill and experience that makes this a real page turner all the way to its deliciously macabre ending. 

So, this guy knows how to write. 

In Phillip’s Story, a tramp discovers a bag of money that changes his life, but in a series of flashbacks we learn that the money has a violent history littered with carnage and death. But in a wonderful twist we see seeds of hope spring from its bloodied past. Phillip’s Story is worth the cover price alone, which by the way is a modest £1.98. 

Round these Bones is a grim survival story of a man who after a bitter split with his partner takes a plunge off a cliff in his car. He lives, although injured, and realises that he won’t be able to make it back to the road without help. Which is a problem, because it’s the grip of winter and it’s cold – oh, so cold. Then he notices the hut: his once slim chance to make it through the night. But the hut isn’t what it seems, and the horror is only just beginning… 

The Woodshed. There’s something to be said about saving the best for last. This is the craft at its absolute best. An evil has infested the heart of a family, and can Karl break the cycle of violence. 

There are more reviews, and you can read them at Amazon or just go to Type AJ Negative and read them.  

To David Youngquist and his staff at Dark Continents Publishing, thank you for that opportunity. It gave me the belief in myself I needed to eventually put out books of my own. 

To you, the readers, if you have never read this collection (or any of my works outside of this site, hop over to Amazon and pick up a copy. If you have read it, and haven’t already done so, can you leave a review on Amazon or even here on the Along the Splintered Path Page

Thank you for popping by and reading my words. I hope they don’t bore you and are, at least, entertaining. 

Until we meet again, my friends, be kind to one anothere. 

A.J. 

Duality and Napalm Psalms

Last week I posted about the magazine Memento Mori Ink coming in August. You can read about that here: It’s Coming. My article The Hook of Relatability will be in it. 

But that’s not all …

My story, Duality, will appear in the collection, Napalm Psalms (by Lisa Vasquez). I am honored to be one of the guest writers for Lisa. This collection comes out sometime in the fall. 

Duality is based off the song Murder in This Town by my friend, Donald Merckle. He sent me a copy of the song last year while I was in the hospital with the belief I could probably write a story based off of it. After listening to it several times, I knew he was right. Duality is about a guy who deals with hallucinations … and something far more sinister. It’s a killer story, pun intended. 

One other thing, I have started submitting stories again, something I stopped doing for a long while. We’ll see how that goes and I will update y’all with the progress.

Until we meet again, my friends, be kind to one another.

A.J.

In the Beginning There Was a Nightmare

On June 29, 1993, I wrote my first short story. If you were  a member of my Patreon page, One Step Forward, then you know that story is called, Chuckie and was based on a nightmare I had multiple times. You also know how the story came about. But here, at Type AJ Negative and this thing I call The Concepts, you probably don’t know anything about that.  Today, I give you the story—the full story that has never appeared anywhere outside of Patreon.

I was twenty-two in June of 1993. On the day—early morning, really—I wrote Chuckie, it was eight days from my birthday. Before I get into that particular day (which is really short, to be honest), I want to tell you about what led to it.

A few weeks earlier, maybe longer, I can’t really remember, I began having nightmares. Time has a way of running together. Seconds, minutes, hours, days, weeks, months, years … decades … they all run together at some point. Things you remember completely when they first happened become dull around the edges over time. Details get lost or exaggerated upon, and as a writer, my job is to exaggerate the truths while telling all sorts of lies. But those nightmares. I remember them quite well.

I was in a house, but I wasn’t me. I was a kid named Chuckie Benson. He had blond hair and blue eyes and was bigger than my lanky 150 pounds—oh and I had dark black hair. These days, it’s more on the gray side than black. The doorbell rang, which was definitely not a reality in the house I grew up in. No, there was no doorbell, only knuckles on wood. In the dream Chuckie—me—opened the door and there stood Alex, who looked like a burned up weenie with a sinister grin that was mostly teeth, and well, not really a grin. Alex didn’t have a last name in the dream or even in the original version of the story I wrote. When I rewrote the story, I gave him the last name of Morrison, since I was a Doors fan. 

I always ran  through the house trying to get away from Alex only to run into him somewhere else in the house over and over again. He would grab me by the throat in his still smoldering hands and choke me. At that point, I woke, not screaming or shooting up in my bed the way you see in movies. My eyes just snapped open and I was awake, my heart crashing hard in my chest and staring at the darkness of my room. 

I had this dream quite a few times, almost nightly for a while. This was bad for a couple of reasons, the biggest of these being sleep. I already struggled with sleep—had since I was about fourteen—and with this recurring nightmare, sleep became nonexistent. 

Then one day someone asked me, “Hey, are you okay? You look tired?”

“I haven’t been sleeping,” was my answer.

From there a conversation was had based on my lack of sleep. I mentioned the nightmares and how terrifying they were for me.

“Why don’t you write your nightmare down the next time you have it?”

“Why?”

“That might make it go away.”

That’s hoodoo magic nonsense I believed. I think the individual who told me that caught my thoughts on my face before I could even say anything.

For the next few paragraphs I will relay to you what was relayed to me, in as much detail as I can remember. These are the words I was told:

There was once a writer—a very good writer—who suffered from nightmares, specifically, one nightmare over and over and over. He got to where he couldn’t sleep, couldn’t function and couldn’t write. He went to his doctor and told him what was going on.

The doctor said, “The next time you have the dream, get up and write it down. Writing it down will make the nightmare go away.”

The writer, desperate for some relief and sleep thought it couldn’t hurt.

That night he had the nightmare. When he woke, he got up and spent the next three hours writing the nightmare down. When he went back to bed, he didn’t have the nightmare, but the next night, lo and behold, the nightmare was back.

The writer went back to his doctor and took what he wrote with him. He explained to the doctor he had done what he was told to do.

“Let me see what you wrote,” the doctor said.

The author handed him the papers. The doctor spent the next little while reading it, then shook his head. “I see what the problem is,” he said.

“What?” the writer asked.

“What you wrote is the nightmare.”

“That’s what you said to write.”

“Yes, but you’re a writer. All you did was write the basic details of the nightmare. You didn’t write the story the nightmare is telling you. Next time you have the nightmare, write the story it is telling you.”

A couple nights later, he had the nightmare again. He got out of bed and spent the next three days writing the story of the nightmare. He never had the nightmare again.

That was the story told to me. Of course, with a story like that, I did, like anyone who heard it I think would do, asked, “Who was the writer?”

“Robert Louis Stevenson.”

“Really?” In actuality, I was thinking all sorts of B.S. had been told to me.

“And the story was The Strange Case of Dr. Jekyll and Mr. Hyde.”

Now, as with any story told like this, I was skeptical. Still, I was desperate for sleep. The next time I had the nightmare, which was the very next night, I got out of bed, pulled out a note pad—what people refer to as scratch pads now—and a pen. I spent the next couple of hours writing the bare bones story of Chuckie Benson and Alex Morrison. 

After I was done, I laid back down. I didn’t fall back asleep that night. However, I never had the nightmare again.

Here’s my caveat for this Concept: I’ve never been able to substantiate the story told to me about the writer or the story. I mean, the story does exist and the author was a real person. But I’ve found no record or truth of how the story came to be. It very well may be true. Or it very well may be something made up in the mind of someone playing shrink and offering a solution. 

Either way, it did work for me, and that’s what matters here. That  story springboarded me into writing hundreds more, something I loathed up until then. Other than jokes and parody songs, I hated the very idea of constructing a story. In school, I did the bare minimum to get by with a D-. 

The story—true or false as it may be—of the supposed nightmare Robert Louis Stevenson had that led to The Strange Case of Dr. Jeckyll and Mr. Hyde, remedied my own nightmares and spurred a love for writing that has never passed, and here it is thirty-one years later.

14 of 52

Shelter From the Rain

Let me preface this story. I wrote the original version of this story in 1995. It was one of the first pieces I wrote—not the first, but one of them. In 2021, I reread this story and thought it could use a massive facelift, something that could make the story have a more satisfying feel to it. It only took me a couple of hours to rewrite it and I’m happy with the way it turned out. 

The original title was also called Shelter in the Rain, but really Shelter From the Rain makes more sense.

I hope you enjoy.

A.J.

***

Rain falls hard on the world. Lightning streaks across the sky. Thunder rumbles, loud and angry. Wind whips through trees, snapping branches, pulling leaves free. The moon hides behind storm clouds, content to sleep the night away. Trees line both sides of the road and sway side to side 

She walks slowly, her head down, her hands shoved deep into the pockets of a coat pulled tight around her. Her umbrella is somewhere behind her, torn from her hands by a strong gust of wind. Her pants cling to her legs. Her shoes squish and squeak with each step she takes. At first she tried to avoid the puddles along the side of the road, but now … now it doesn’t matter and she no longer cares about getting wet; she’s drenched from head to toe.

Damn car, she thinks. Good time to let me down.

She tried her cell phone, but out here, in the middle of Heaven knows where, but she doesn’t, there is no cell reception. She doesn’t think the overhead clouds and nasty weather help matters. 

It doesn’t matter, she thinks. It’s not like I have anyone to call. 

Tears tug at the corners of her eyes. No one to call became a thing earlier that night when she and her longtime boyfriend parted ways, not because she wanted to but because a man with a mistress is not something she wants to be a part of. Especially when she found out she was the mistress. 

How did I not know? It’s a question she has asked herself over and over since leaving him just hours earlier. She pulls her arms in closer to her body, shivers from the chill of the cold rain and walks on.

***

He sits. 

Watches. 

Perched on a tall oak’s highest limb, he follows her. Eyes like small green peas against a backdrop of darkness. He takes in her every move, from the time she pulled onto the shoulder of the two-lane road a mile or so back to her kicking a tire out of frustration, to her walking, first with an umbrella, then with her head down, hands in her coat pockets. 

Misery loves company.

He steps off the branch, unfolds his arms and swoops down toward the ground. Then he rises toward the sky. Leathery wings carry him through the night air, rain and northern winds. He flies ahead of her, searching, searching … until …

There!

Off to the side of the road stands an old wooden shack, desolate and empty. Its windows are missing, its door lays on the warped flooring of what used to be its front porch. One of the wooden planks that make up the five steps to the porch is missing. A tin roof covers it and there is a steady chorus of pings as thousands, if not millions, of raindrops strike it.

He smiles. It’s what she needs, what she is looking for. A shelter from the rain.

It will do.

***

She almost misses it. Her head is still down and her jaw trembles as goosebumps swim across her skin. She stops. 

What was that? her mind asks.

Just the wind, she responds.

But is it? 

Of course, it is.

It sounded like …

Just your mind playing tricks on you.

Maybe.

She doesn’t go far before she stops again. A break in the trees to her right reveals a dilapidated house, its windows missing, the door laying on the porch. A steady drumroll of raindrops beats down on the roof. The darkness oozing from it doesn’t feel inviting. She shivers, maybe from being cold, but more likely from the oppressive presence coming from the house. 

I wonder if someone’s home.

She shakes her head at the thought. No one is home. No one has probably lived there for many years. 

She looks at the sky. Rain pelts her face. The sound, she hears it again. 

Wings, she thinks.

Your imagination, her mind counters.

Her chest tightens. The night couldn’t get much worse. Breaking up with her boyfriend was bad, the car breaking down in the middle of nowhere in a storm was bad. Hating herself for not realizing her relationship had been built on lies was far worse than her walking in a downpour. But maybe being afraid of noises is not such a bad thing. Maybe it’s a better feeling than the one she has been dealing with. 

She looks back at the house. 

At least you could get some shelter from the rain, she thinks.

***

He watches her from the depths of darkness inside the house. He doesn’t have to play this game, but there is something about willing victims he prefers over those who are not so willing. He licks his lips and steps into the doorway, giving her a glimpse at nothing more than a shadow—one that shouldn’t be there given the circumstances.

When she sees him, he whispers. Come to me. 

***

She sees the shadow appear in the door. A frown forms on her lips and in her eyes. The grip on her chest increases and her breath catches for a moment before releasing.

Come to me.

She cocks her head slightly to the side. Her eyes narrow. The shadow in the doorway motions to her, a simple come here gesture. She shakes her head.

No, she thinks.

The voice comes again. Come to me.

She takes a step back. The rain and the wind are nonexistent, the water sloshing over her shoes seems to disappear. 

It’s all in your head, she thinks. 

Come to me.

There’s nothing there.

Then why am I so scared?

Because you’re alone. Out here. In a storm.

As if on cue, lightning flashes across the sky. The loudest thunder she’s ever heard follows, shaking the ground. The rain becomes heavier, not quite obscuring the house and the figure in the doorway but making it difficult to see much else. Her wet hair whips around her face. The wind pushes her sideways a few steps. 

Come to me.

***

He’s not going to lose her. He knows this. He also knows she might not come willingly. 

Come to me.

No.

Come to me.

She backs away. 

No, he thinks. You’re not getting away that easily.

He turns his eyes to the sky. Lightning streaks from black clouds. Thunderclaps, shake the world with its rumble. The rain picks up, as does the wind.

She staggers sideways.

Come to me.

***

Her first steps are tentative, like an unsure baby. The wind and rain batter her, knocking her off balance. She catches herself before she can fall and slowly trudges toward the house.

Let me be your shelter from the rain.

Shelter? she thinks. That’s really all she wants right now. A place out of the wind and rain that can protect her until the storm breaks and daylight comes. 

When she reaches the steps to the house, she looks up. There is no shadow in the doorway, no voice beckoning her to him.

Just your imagination, her brain reminds her.

I guess so.

She doesn’t realize she is going up the spongy steps or walking across the porch. She eases around the fallen door and stands in the entrance. 

And he is there, his eyes like bright green lights, his lips inviting, the rest of him … nonexistent. 

He extends a hand that wasn’t there seconds before. Come, let me be your shelter.

She takes the hand, willingly. It is cold. The fingers are long and thin. He pulls her to him and embraces her in a hug like none she has ever felt. It’s comforting. She melts into him. For the first time since early that evening, she doesn’t feel alone or scared and nothing else matters except for that embrace. 

***

She is warm. He feels her heat radiating off her as he holds her close to him. He turns his head, lowers it to her neck and kisses gently. He breathes in the sweetness of the blood pumping just below the skin. His mouth opens and the tips of his fangs brush against her neck. He bites. 

A rush of blood fills his mouth.

***

She feels his lips on her skin but doesn’t pull away. She knows something is wrong—has to be—but she also knows she is not scared and there is comfort in that moment. There is a prick of pain in her neck, then it is gone, much like her loneliness and fear. She becomes lightheaded and tired. She wants to stay there in his arms and rest, maybe even sleep against his chest. Is that too much to ask after the day she had?

She sighs, a sound of complete contentment, then closes her eyes. Her world fades and she feels like she could sleep forever. He pulls her closer to him and her legs weaken. Her arms slide from around him, going limp as all of her energy drains from her. 

***

He drinks of her blood, of her very life until her body sags in his arms. Then he drinks a little more. He wants to take the essence of her, take all of her, but stops before he can. Instead, he lowers her to the dusty floor, among the broken glass of the windows and leaves that blew in over time. He doesn’t look back as he steps through the door and into the dying storm. 

Goodbye, he whispers and disappears into the night on leathery wings.

***

And she lays there, her heart barely beating, her breaths shallow and too far apart. As the storm ebbs outside, so too, does her life. Then, there is nothing.

A Stitch of Madness

In May of 2016, my short collection, A Stitch of Madness, was released by Stitched Smile Publications (such an appropriately named press for the collection, I add). It was based around the three definitions of madness:

Madness: extremely foolish behavior.

Imprisoned for the murder of his best friend, Johnny Cleary sets out to tell what happened on the day Bobby “Buster” Lennon died, but are the words he writes true or does the deception run deeper.

Madness: the state of being mentally ill, especially severely.

There is something wrong with Irene. Momma’s dead and a ragdoll speaks to her in a voice that is hauntingly familiar. And what about the stitches, the very things that just might hold Irene together?

Madness: a state of frenzied or chaotic activity.

After an odd stranger pays Robert Wallenger a visit, his world begins to unravel and the past comes rushing back, along with a sickly sweet scent.

There is madness in everyone. For most, the madness never surfaces. For others, all it takes is one thing, big or small, for them to spiral out of control.

The following is the opening to the first story, Catherine’s Well:

There are things in life you wish to forget, or at the very least, push to the back of your mind so the memories only surface every once in a while.  Everyone has those moments.  Everyone.  You know them the minute they happen.  Getting caught cheating by your wife with the mistress; that car accident you were in because you were paying more attention to your cell phone, make up, radio or whatever; that night you got drunk and woke up naked on your pastor’s front lawn.  Yeah, we all have those moments.  Most of them we deal with and move on.  It’s only when someone says, ‘hey, you’re that guy they caught doing that thing in the theater,’ are you forced to relive things. 

It is what it is.

There are those things we can’t forget, no matter how bad we want to.  You know those things, too.  September 11 comes to mind.  A lot of people died.  It’s hard to forget something like that.  Seeing someone you know and love die right in front of you.  Yeah, that’s not something you want to remember.  Most folks would rather forget that person existed than to remember how they died.  It’s true.  Deep in the recesses of every human heart and mind is the fact that seeing someone die is what you remember the most about that person and that’s not something most want to recall.

You never want to see a best friend die. 

Never.

And you never want to be accused of murdering that best friend.

***

It’s been nearly seven years since A Stitch of Madness was released. If you enjoy what you read here on Type AJ Negative and have never purchased a book from me, will you consider doing so? ? You can start with A Stitch of Madness, if you like. If you want a digital copy, then you can follow the link below. However, if you would like a print copy, send me a message in the comments or send me an email at theunderwriter36@gmail.com. I would truly appreciate it.

Until we meet again, my friends, be kind to one another.

A.J.

Here’s the Amazon link:

2 of 52

Before you read this piece, let me state up front, it is an odd story, mostly told in reverse. For the most part, you can read it from the first paragraph, like a normal story, and read it to the end, or you can start from the end and work your way to the top. It’s very much an experimental piece that was difficult to write, especially in so few words. 

I hope you enjoy the story and don’t get too confused. Let me know what you think in the comments below.

Maryjo

A.J. Brown

The light was on in the lone room on the third floor. That’s where Maryjo lived before she died. She had been smoking a cigarette in the bed and fell asleep. The cigarette started a fire on her blanket and the bed went up in flames. She was 43 when she died. And there was a light on in her room.

The second floor window on the east side had a hole in it. Maryjo lived in that room for a while before moving to the third floor. A not so lovelorn guy tossed a brick through it. The brick held a love letter on a piece of paper wrapped in rubber bands to hold it in place. Marry me, Maryjo, was written in black marker on the paper. It creeped Maryjo out and she moved to the third floor. She was 38 then. The window was never fixed.

There’s another window with a hole in it on the west side of the house. A brick didn’t break this one. A rock did. Smaller and easier to throw. It struck Maryjo in her blonde curly-haired head. It left a nasty gash, lump, and painful bruise. It gave her a concussion that caused severe headaches and nausea. She moved to the East side room on the second floor after that, hoping with it not being on the open side of the house, nothing like that would happen again. She was 31 then.

On the first floor of the old Victorian house are three bedrooms. East room number two is on the backside of the house. A door next to the room opens to the outside if you are inside and to the inside if you are outside. At first, she didn’t mind being next to the door. She could come and go as she wanted with neither parent wise to her, well, coming and going. Then came the random knocking at all hours of the night. It started as soft taps and gradually grew to angered thumps then heavy kicks until the door jamb split one night. Dad didn’t hear the soft taps or even the knocks, but he heard the angered thumps and the kick that broke the door. He ran off the person—someone dressed in black who was never identified. That scared her enough to make her move to the second floor. She was 25 then.

East room one wasn’t really on the East side of the house but more towards the West side. Maryjo liked this room more than the others with its high ceilings and lone window that faced out at the field behind the house. There were trees beyond the field and on the other side of those trees is where Clint Hall and his family once lived. 

Maryjo loved Clint and dreamed of marrying him one day. He often came through those trees and across the field to see her. She watched him approach on his way there, then on his way home. 

Clint and his family died long before Maryjo did in a similar way. Unlike with Maryjo, a cigarette didn’t burn just her and her bed up, it ended up taking the entire house, Clint, and his family as well.

Heartbroken, Maryjo moved to East room number two so she could no longer look out at the field for who was never to come that way again. She was 20.

The West room sat closest to the front of the house. Maryjo lived in that room the longest, from birth until she moved to East room one. There were no pink walls or unicorn posters. It was just a room, almost like a place of waiting … waiting for another room to open for her. She hated the West room more than any room in the house. She was sixteen when she left the West room behind, choosing to leave bad memories alone and start anew in East room one. She never returned to the West room, where a monster lurked in the shadows and where sleep was often interrupted.

Once upon a time, she had a brother. He smoked cigarettes before he was twelve and liked Uncle Billy’s moonshine. He was sent away for doing things to little girls. No one has seen him since. He was nineteen when he vacated East room one and she moved in. 

Maryjo didn’t smoke. 

AJB

Crumbled Blacktop–Rough Cuts #3

I saw the woman on the bridge right before she jumped. 

A little context: I often take long drives on the weekends. I get in the car, crank the music up and drive until I want to turn around, then I usually come home. I usually go on either Saturday or Sunday. Sometimes, especially if the world has been particularly cruel, I go on both days. Still, on a handful of occasions, I drive until it gets dark, stopping only for gas and food, then park for the night on the side of the road at a rest stop or in a state park if one was near. On those occasions, I usually spend the next day driving home.

This was a Saturday, which was shaping up to be the first day of a two day bender. My head ached, as did my heart. The lady I loved—Lelani—left me a couple of days earlier, while we sat at a restaurant during my lunch break. She barely touched her food and she wouldn’t make eye contact with me. 

“What’s wrong?” I asked her. 

She stared down at the table. Her hands were in her lap. When she brought her right one up she had the ring I gave her when I proposed four months earlier (and she said yes then) in it. She set the ring on the table. 

“What’s this?” I asked. I knew what it was. I knew she was breaking up with me. 

She shook her head. “I can’t do this.” She stood and walked off, leaving me sitting at the table, staring at the engagement ring. I was stunned. I didn’t know what to do. Part of me wanted to chase after her and find out what was going on, what happened and how I could fix it. The other part told me it was over. Our turbulent on again, off again relationship was over and chasing her down would do no good. That part won out. 

I paid for our meals, stood and walked away, leaving the engagement ring on the table. 

This is what I thought about as I drove roads I don’t remember and lost hours I would never get back. And my head hurt and my heart hurt and I wanted nothing more than to stop hurting.

I got off the interstate hours before, following road signs for a town I never actually found. I did come across old houses along the road with rusted out cars in drive ways or sitting up on blocks in front yards. I didn’t see any people and I didn’t pass any other cars. The road was blacktop that was more crumbled than whole with weeds and grass growing through all the cracks and crevices. 

I drove slowly, as if on a dirt road with deep ruts that made the front end shiver and the back end shake. At some point, I turned the music off, silencing some punk rock band or other—I truly can’t recall which one it was. The world grayed at some point and the music felt off, as if where I traveled commanded a quietness that felt loud in my ears. 

I rounded a curve. Ahead about a hundred yards or so sat the bridge. Even from that distance, I could see it was old and wooden. I won’t lie and say my curiosity didn’t suddenly pique. There I was on an old forgotten road after spending all day in my own head and that was in my sights. I drove on, but by then I was mostly on the road’s shoulder and trying to stay off the bumpy black top. 

About fifteen feet from the bridge, I pulled off the side of the road and parked next to a tall, thick tree with bare branches. It was well into mid-afternoon by then and I would need to start trying to find my way back to the interstate. But the bridge … I had to see it up close. 

That’s when I saw her. She stood in the center of the bridge, her back to me, looking out at the world to her right. She wore a light colored blouse and blue slacks, kind of like the ones my grandmother wore when she was alive. Her hair was gray and she was thin—maybe too thin, as if she were sick. 

I got out of my car and closed the door gently. I didn’t want to startle her. Thinking about that now, it sounds stalkerish. I wasn’t trying to be creepy but I thought it odd that there was an old lady out on this road that didn’t seem to have a name and with no other cars to be seen besides mine. I was afraid she might have wandered off from a home and she was lost, or maybe her car had broken down and she needed help.

For a minute or so, I stood at the front end of my car and stared at her. She didn’t move. The slight breeze that came off the water blew through her hair and ruffled her shirt. I took a step forward, suddenly very concerned for this woman I had never met. My head swooned and the pain that had been small earlier, bloomed.  I was slow about it but I made it to the edge of the bridge. The wood was mostly rotten; there were quite a few holes in the planks and some boards were missing all together. The rails to either side were mostly warped but still in place. 

“Ma’am?” I called. “Are you okay?”

She didn’t look back at me or even flinch like she had heard me. 

“Ma’am?” I called again, a little louder this time. “Are you okay?”

I took a deep breath. My head still thumped but it wasn’t swimming. I stepped onto the bridge. The wood was soft beneath my feet and I hesitated, afraid I might fall right through to the … the what? I couldn’t see water in either direction, just land on my side of the bridge and land across it. Up until that moment, I didn’t notice what was beneath the bridge or what it crossed over. I leaned to my right to peer over the rail. I saw muddy water, but it couldn’t have been much more than a wide creek; the bridge probably wasn’t needed.

When I looked back at the woman, she had turned around and now stared at me. Her jaw was slack and her eyes were blank. Beneath her eyes looked like bruises. Her hands hung down at her sides and the front of her blouse had a large brown stain on it, almost in the center of her chest. I knew immediately she had been shot, or at the very least, stabbed.

“Ma’am …” I said. Both of my hands were out in front of me, as if trying to keep her from moving. “You’re hurt.”

I looked down, then took a few unsteady steps toward her, then looked up again. She hadn’t moved. Her eyes still looked distant and her jaw was still slack. She didn’t see me. I was almost certain of that. It didn’t matter if she could see me or not. I could see her and I couldn’t leave her out there to die. Every few feet I looked down to make sure I didn’t step through a weak spot or fall through a hole that was already there. And every few feet my head spun and I had to regain my bearings.

Thirty or so feet from her, she seemed to notice me for the first time. Her eyes seemed to clear and her jaw clamped shut hard enough for her teeth to clack together. She looked out at the world beyond the bridge’s rail. 

“No,” I yelled when she moved far quicker than I believed she could. She took four quick steps, put her hands on the top wooden rail, her foot on the bottom one, then launched herself off the bridge. She didn’t scream. She didn’t yell. She just plummeted. 

I went to the rail and looked over, the pain in my head forgotten. The woman was gone. She didn’t land in the water or hit dry ground. She was just gone, as if she had never been there before. Maybe she hadn’t been. 

“No, no, no, no,” I said over and over. Then, as if someone watched me, my skin began to crawl. I was in a horror movie come to life and fear gripped my heart. I backed away from the rail and hurried back toward my car the best I could. The pain in my head intensified with each step I took. I reached the end of the bridge, stepped off and started to run for my car …

And somehow ended up back on the bridge, standing where the woman had been when I first saw her. I turned, first to my left to the side of the bridge I had no intentions of walking to, then to my right, to where I stepped onto the bridge and where my car … my car didn’t sit on the side of the road where I parked it. It was off the road, the front end smashed into the thick, tall tree. The front windshield was splintered right about the spot a head would have struck if …

I touched my forehead and pulled back red fingers.

“What’s going on?” 

I touched my head again, this tim planting my palm on my forehead. The skin there was torn. I could feel flesh bunched up near my hairline. I probed a gash that seemed like it ran the length of the top of my head, feeling something hard that could only be my skull. I pulled my hand free and looked at it again. Blood dripped from my fingers and palm. I wiped my mouth with my other hand and suddenly felt the urge to run, that something was terribly wrong and I was in danger. 

I ran for my car, not worrying about the holes or weak boards in the bridge. I couldn’t hear my feet or my breaths or feel my heart beat hard in my chest. I only felt the heavy weight of panic and fear in my chest and mind and the sharp, intense pain of the headache that seemed to split my skull. I reached the end of the bridge, stepped off and was back in the center where the woman had been. 

I almost ran for my car a third time but didn’t. Instead, I walked toward the other end. My legs grew weak as I walked and I didn’t think it would matter what happened when I reached the other end. I reached it and stepped off the bridge and back onto it in the exact same spot as before. 

Now, I stand here, in the center of the bridge. I can see both ends of the bridge, but it doesn’t matter. I can’t step off of it. But this waiting, this feeling of being trapped here with no way to get help isn’t the worst of it. That’s reserved for the creature standing at the end of the bridge where my car is. It came up in an old style horse and buggy, both of which are black. It stepped away from the buggy. It is not much taller than I am and it wears a hooded robe. In one of its hands—hands that look skeletal—is a long pole with a sharp blade on one end. It’s spoken a couple of times, but I can’t make out what it’s saying. It can’t be anything good. It’s on the bridge now and coming toward me. A darkness spills off of it, like a thick fog rising into the air and going out before it. It’s coming for me. It’s …

I can’t run away. I’ll just return to this spot and it will be waiting for me. But what if … what if I jump over the rail and off the side of the bridge? What if …

AJB

Coming Soon: Five Deaths

Andrew Colson never intended to kill anyone. The dead that haunted his childhood had other plans.

The first ghost to appear to him was Billy Jumper, a four-year-old special needs child murdered by his stepfather in a drunken fit. Billy was followed by Sarah Lockingham and Janie Whiteside, then the one person who he loved most, his father. 

After the death of a close friend, Andrew learns what the ghosts want from him and sets out to fulfill their needs. In doing so, Andrew discovers a devastating truth that may push him beyond setting things right for the dead. It might lead him to revenge.  

Coming to an e-reader in your hands or get your hard copy on September 13th.

Spread the news. It’s coming.