Back In The Saddle

A couple years ago, I quit the business of publishing for a while. I even wrote a letter and posted it here and on social media. I was frustrated with the way the publishing world treated people, the way many authors treated other authors, with the amount of plagiarism I saw in this business, with the amount of … I don’t know … hate I saw in the writing community. 

When I left everything behind, I went through a period of mourning. You see, I loved writing. I loved the act of telling a story. I loved sharing those stories with the world. That period of time was slightly depressing, almost like a lesser version of Runner’s Depression. In case you don’t know what that is, let me try and explain it in as few words as I can. This happens to people who run, who love to run and all of a sudden, they can’t. They were born to run. They lived for that alive feeling they had when they were finished running. It’s an exhilaration that is similar to an adrenaline rush. Not being able to run can sometimes send a runner into a depression that could last a long time or just a little while. It’s as if part of them has died. It’s a mourning period.

After a few weeks, I started writing again without the pressures of wanting to put out a story, without feeling like the story needed to be amazing or I was wasting my time. I wrote a lot of bad stories during that time period. They were pieces that had been inside of me but I refused to write because I knew they would be crap and ain’t nobody got time for that. 

I also wrote some really good pieces, some I think will end up getting published at some point. 

Though I was writing, I can honestly say, I wasn’t really happy or content with what I was doing. I had been part of the writing community for over twenty years and by leaving it, I also left part of me behind. Hence, the mourning.

A few months after leaving publishing, I was convinced by two friends to give it another go. So, I did. I put together a collection of stories, titled A Color of Sorrows and began querying publishers. Not long after submitting to this one particular publisher, they responded saying they loved the collection. Yes. Awesome. I was excited. A contract was worked out. They did an analysis of my writing and deemed my style was similar to this exceptional author of horror whose initials just happen to be S.K., who also just happened to be my favorite author. 

Things were going well. Discussions were had and I did a lot of work on my end. About six months before the book was to be released, I was sent a formatted copy of the book to look over. It looked great, but there was one problem. I still hadn’t been assigned an editor. I had received edits, but those had been done by software, not a person. I had rejected half of them because they made no sense within the context of the stories. A month of so later, I enquired about an editor, more specifically, when was I going to work with one. 

I was told they don’t provide editors unless the writer pays for it. Umm … no. Up until right then, I had been excited. The discussions after that were not as cordial as they had been. I told them I expected an editor and that editing the stories was part of the process and the publisher should be the one paying for the editor. They didn’t see it that way and my excitement went from on fire to ice, ice cold. 

My enthusiasm for getting back into the publishing world tanked. You see, this was one of the things that made me want to get out of the business, poor treatment by publishers. 

Still, I was under contract and I didn’t want an unedited book to be released to the world. I asked my editor to go over it, even though she had done so before I submitted the collection. I wanted one more pass. She found two things that needed correcting, one of which was a change I had made because of the software suggestions. 

They released the book in May of 2023. I promoted it … Just. Once.

You see, the very first publisher I worked with after getting up and dusting myself off, didn’t do things the right way. 

And just like that, the experience was soured for me. To say I was frustrated and aggravated was an understatement. 

I’ve released two books since then, but I have to be honest, my heart wasn’t into promoting them and I did a bad job of letting people know about them. I’ll talk about those later. There are other things to get to for now. 

Not only did I lose enthusiasm for publishing, I neglected my website. I mean, seriously neglected it. Don’t believe me? Go look at the last post. It was in February, it’s June now. I also shut down my Patreon page. I mean, really, I just kinda said screw it.

Now for some hard truths I had to tell myself. I wrote a book called Motivational Shit You Didn’t Ask For. Great title, right? I think the title will sell the book all by itself. The book isn’t huge and most of the chapters are under two thousand words. Yeah, it’s short. Something I mention in the book multiple times is making excuses. We humans make excuses to not do things. We might say we want to do them, but if we don’t then do we really want to? Nah, I didn’t think so. 

I sat back recently and thought about why I didn’t promote my work. Sure, maybe I had some valid points with the publisher issue, since it felt like I did all the work except formatting (which I could have done) and cover layout (which I could have done, also). However, it was MY book, those were MY stories. Okay, let’s just say I had valid reasons instead of excuses for not promoting The Color of Sorrows. What about Six Strands To Lost Sanity? What about Human Touch? What about two books I believe are really good? I mean, seriously, what is the reason behind not promoting them? I have no valid reason. Only excuses. 

I have neglected a lot since first walking away, then coming back, then making excuses. That passion and drive I had when I first started out have been gone for almost three full years now. I’m trying really hard to find it again. So what have I done about it? I started mentoring again, which is going well. I’ve written a bunch of stories. I’ve joined the staff over at Memento Mori Ink, where you can read the first article at the end of August. More on that later. I’ve started submitting stories to publications again. 

And … I’m posting here. I recently realized I don’t have to post long pieces like this one. I can simply post something like: It’s coming, and post the cover of a book. And I can post as many times as I want. Once a day, once a week, 18 times a day. It doesn’t matter. You’re either going to stick around or not. If you do, thank you. Also, thank you for sticking around while I’ve been gone.

Until we meet again, my friends, be kind to one another.

A.J.

One Step Forward …

Good morning, y’all.

On my Patreon page, One Step Forward, three new posts are up: Part 7 of One Step Forward. Part 7 of the serialized novel, Unbroken Crayons, and Part 1 of a new short story. If you’re a Patreon member, head over, check them out. If you are not a Patreon member, head over, check out the page–there are some posts that are available to nonmembers–and maybe consider joining.

https://www.patreon.com/onestepforward

Until we meet again, my friends, be kind to one another.

A.J.

Hi

Hi.

It’s me, A.J. Brown.

I just wanted to pop on here and say hello and give a, hopefully, quick update on things. This shouldn’t take too long.

Type AJ Negative is in it’s tenth year, which absolutely blows my mind. I started this blog/website in June of 2012 as a way to promote my work, get my name out there and connect with readers. There have been times where I have kept the site updated regularly and times where I didn’t. So is the ebb and flow of life and writing. 

I took a six or so month break last year to reevaluate more than just writing, but life in and of itself. Around that time, I really looked at me, at my head space, at what I wanted in life. You could say I was going through a midlife crisis if you want, but I think it was more of learning how to prioritize, well, me. I started a workout program and dropped thirty pounds of fat and found a confidence in myself that had been sorely lacking for years. I felt better and I was able to run again for the first time in twenty years. That was monumental for me.

I got rid of Twitter, which I found to be the most toxic form of social media. I also culled my friend’s list on Facebook from nearly 3800 to about 700 people. Suddenly, a lot of toxicity was gone from my feeds. I removed in person people from my life and had long conversations with other people I did not want to remove. 

And I wrote, but differently than before. I wrote for me, for my enjoyment, without the pressure of needing to get my work published. I wrote some of the best stories in years. I wrote a course on story telling (so if you know someone who might want to learn hot to tell a story … ). Then, after I reached a place where I was happier, I set out into the publishing world again. I put out Five Deaths in September of last year, then GRIM in February of this year. I’ve written an amazing love story and have three books that are interconnected around the theme of love. Talk about stepping outside of your comfort zone.

One thing I had to look at was holding myself accountable. The biggest of those is not making excuses for not doing things, or why I can’t do things. I think most people are in the habit of making excuses. I had to cut that out. I’m still working on it, but for the most part, it’s a habit I have broken.

I also had to look at RIGHT NOW. There is no tomorrow. It is always today because once you reach tomorrow, well, it’s still today. I know, confusing, but the point is don’t put off until tomorrow because tomorrow never arrives and you only have so much time in this world. Do what you want to do in life RIGHT NOW. 

Before I go, I want to talk about Type AJ Negative. I am currently revamping the site. Please, check out the menus and the links, check out the book pages. I’m adding purchase buttons to each book page, so if you’re interested, check back soon and you should be able to purchase directly from my site. If you’ve read my work, comment on those pages, please. I will be adding my social media links, probably in a menu tab as well as a sidebar menu. I’ll also add my Patreon page on here, which I hope you will give it a visit, and maybe subscribe to it. More on that at a later date. 

I am going back to promoting my books and stories and maybe some other writers as well. I’ve been thinking about a WHO AM I kind of thing where I invite other authors on here to talk about themselves and their works. I know some fabulous people in this business. I will still post stories from time to time, but maybe not as much as before. I hope to post more inspirational things as well. 

I hope, even more than all of that, you will stick around for this. 

I have 370 followers. To each one of you, I want to say Thank you. I know, in reality, it’s probably more like thirty people who follow this site regularly. To each of you, a big thank you. If I’m able to bring one person some entertainment and joy into their life with this site, then I’ve done what I set out to do. 

Okay, so this is important. If you follow this site, if you have read this post, can you do me a favor? Yes, please like the post, but more than that, can you leave a comment? Let me know who you are or say hi. If you’ve read my work, tell me about it, tell me if you liked it, hated it, used it to balance a table. 

I’m done for now. I have a lot of work to do, but it is work I am happy to do. I look forward to hearing from you and thank you for reading. Until we meet again, my friends, be kind to one another.

A.J. 

Patreon: One Step Forward

What’s up all you … hmmm … what do I call the followers of Type AJ Negative? My handful of fans? My new Patreon subscribers? I honestly don’t know. I used to call them Roadies, but something happened a few years ago involving a shady person so I stopped calling y’all Roadies. That actually sucks, because I created a lot of marketing material using that term. But sometimes you have to disassociate with people or businesses and remove all connections to them. 

But that is for another day.

Today, I want to post the link to my new Patreon page. It’s under my name, but I call it One Step Forward

One Step Forward is one author’s take on writing and life. It’s exclusive short stories, videos, background information on characters and books you can’t get anywhere else. It’s discounts on books. It’s exclusive first looks and early content. It’s also a look at the struggles, the doubts, the rejections, as well as the acceptances, the confidence and those moments of success that makes you scream at the top of your lungs ‘What’s going on?’ Oh, wait. That’s not what I scream during the successes. Actually, I don’t scream at all about the successes. Maybe I should. 

It’s the path taken and viewpoints of that path. It’s honesty as one writer sees it. Life is all about taking one step forward at a time, and this is one I chose to take. I hope you will walk with me.

Here is the link. I hope you will consider checking it out. Yes, a lot of content is subscription based but I think it will be well worth it for my Patrons. 

https://www.patreon.com/onestepforward

I will still have content here, on Type AJ Negative and I have a post coming in the next week on what I am striving to do, both as a writer and as a person. 

Also, before I go, if you can think of a name to call my fans and subscribers, drop it in the comments below. Please like, share and comment, as well. And, please, stop by the Patreon page, check it out, subscribe to one of the four current tiers. I truly appreciate it.

Thanks for dropping by, be kind to one another and keep taking one step forward. It’s the only way you get anywhere.

A.J.

WHY?

I wrote a letter at the end of 2020 that I eventually sent to my publisher, editors, proofer and select friends. It is titled, Why I’m Getting Out of the Publishing Business. When I wrote this letter, my resolve to leave the publishing business was so strong I almost sent it without letting it sit, without letting my strong emotions run its course before making such a decision. Instead, I sat on the letter for nearly a month longer, watching things play out, seeing if I would have a change of heart. 

I did not.

One of the biggest reasons for my desire to leave the business of publishing is I feel the system is broken. I feel there are too many small presses with the right ideas but without the funding and/or the understanding of how to make those ideas work for both them and the authors. I feel there are small press publishers who steal the ideas of others to benefit themselves within the writing and publishing communities. I feel there are so many writers out there who don’t care about the readers and will throw anything together to make a buck. 

I feel the business model in publishing is broken. Authors submit their works to agents or directly to publishers, who, if accepted, make more money off the authors’ hard work than the actual authors make. But the business of editing, creating cover art, marketing and so on is why the publisher makes X percent of the royalties and the author makes x percent. Please, understand something important that has been lost throughout the years: without authors, there are no publishers. 

There are rights—so many rights—to published works that authors lose for either a period of time or forever when they sign certain contracts. But those authors get advances, you say. Only with certain publishing houses, but if the book doesn’t sell well enough to meet the advance amount that puts the authors in a precarious position. Sometimes part or all of that advance has to be paid back if the book doesn’t meet the publisher’s expectations. To go with that, sometimes authors have to fight to get the rights to their work back, even after a publishing company has folded. 

That’s not the worst of it. I once had a publisher tell me he would give me the rights to my book back if I paid him five hundred dollars for what he paid out on the book. I asked for receipts and he sent me a bill. I asked for proof work had been done on a book I had not seen edits for though the book was scheduled to be released in less than two weeks. I had not seen cover art, either. The publisher had not done anything he said he would in the contract, and I pointed that out. We had a bitter back and forth until I finally told him he can talk to my lawyer from that point forward. I had already been in touch with an attorney and he had found the contract was null and void and that I could sue the publishing company if I wanted. I did not want to do that. I just wanted the rights to my book back. In the end, I was lucky. The publishing company’s contract provided an out that they didn’t realize was in there. A lot of authors aren’t so fortunate.

Then there is Amazon. I loathe Amazon. There is a mindset among some readers that if your books are not on Amazon, then you must not be that good of a writer. That’s a bogus mindset. Amazon is not a publisher. It is a provider. It provides people who want to publish their books with an avenue to do so. It also provides a means for readers to get those books. It is, in no way, an actual publisher. They don’t edit, they don’t proof. Don’t try to get them to market. They just provide. 

What it boils down to is a story is an author’s intellectual property. It is also an art form—yes, even bad stories are artistic in some way. More than those things, a story is the brainchild of the author. It is a part of them, one the author cherishes. At the end of the day, publishers should respect the authors under their imprint. They should treat them like customers they long to get and keep. A writer is not a dollar sign, and yes, I know the business of publishing is about money. Or is it? Rather, should it be? Maybe it should be about entertaining the readers and giving them the best bang for their buck. I honestly feel doing that will lead to more dollars down the road.

The thing is, it’s not just the publishers doing this. It’s the authors. I work hard on crafting atmospheric and emotional stories. I work hard on putting stories out that move readers. I work hard to give the readers an experience. I work hard on the logic of the stories I tell. I don’t just write some words on a screen and call it good and publish it to make money off readers. That would be tantamount to screwing them. But many authors do. Sadly, readers eat those writers up, hang on their every misspelled word or poorly constructed sentence. 

The art of telling a story is dying and we’ve watched it happen. Sadly, authors have allowed it to happen. It makes their job easier. They don’t have to invest time and energy and heart and soul into crafting something memorable or something that moves you. Just give the readers a beginning, middle and somewhat of an ending and call it a day. Smoke your cigarette. Drink your wine and smile your yellow-stained teeth smile.

I can’t do that. For every story I’ve published, there are at least ten stories I have not. If you do that math, only nine percent of the stories I have written I feel are worthy of seeing the light of day. Nine. Percent.

I’ve always done things my own way. I question things. I question rules. One of my favorite questions is simply, Why? If I’m given an answer I feel is satisfactory, then great, if not, I ask again. Why? The biggest of those questions is why is it done this way? Because it always has been is not a good answer.

So, I left the business for about six months. I wrote more in that six-month period than I did in the previous two years. I cleared my mind. I didn’t watch the business. 

When I decided to step back in, I went with a book I had released in January, then pulled before it could get a head of steam. It’s a good book, one of my favorites. I also went about it differently. I focused on the fun side of the business, which has always been about creating. In September of 2021, nearly seven months after leaving publishing, I rereleased Five Deaths, and I was excited to do so. I was excited to talk about it. I was excited to promote it. I was excited to get it in people’s hands. What a glorious feeling.

That leads us to here, to Patreon. Why? Why Patreon? Patreon is a platform for artist, and as I stated before, writing is an art, sometimes good, sometimes bad, sometimes it can be amazing. Patreon allows the artist to offer you, the fans of such an art as writing, the opportunity to get content no one else can get through a subscription. It allows fans to help artists continue to create. It allows the artist more control over the content you receive. It allows the artist to actually make a little money off their work. 

I’ve been in this business a long time. I’ve seen how writing organizations treat those who are not members and it is shameful. I’ve witnessed biasness firsthand. I was once told by a publisher who rejected one of my stories that he would have taken the story if a more well-known author hadn’t sent him one for consideration. Someone had to get booted so the well-known author could have a spot. He went for name recognition over quality of story. Sadly, that happens a lot in this business. 

Admittedly, I see things differently. I feel this business fails its readers more than it should. I won’t kiss butts to get further in this business. I won’t lie to a reader. If I feel my work is not a good fit, I tell the reader. It might cost me a sell, but if it’s not for that person, what are the chances that person will read it to the end? And what are the chances they will ever buy from me again?

I stated earlier without writers there are no publishers. There’s one other thing that goes with that: without readers, there is no reason to write and be published. The most valuable person to a writer is not the publisher, editor, proofer, cover artist, or beta readers. It’s the book buying reader. You are the most important thing to me, as a writer. Without you, then I’m not writing this. 

So, what do you get by subscribing to my Patreon page? Depending on the tier you subscribe to, you get exclusive stories, either in a series format or as stand-alone pieces, once a month. You get first looks at new books, you’re the first to know about new releases and you are the first to see cover art. You get a quarterly print booklet, much like my original Brown Bag Stories or Southern Darkness booklets, mailed to you in February, May, August, and November. You get an exclusive first look at my novel Unbroken Crayons—once a month (over a twelve-month period) a new portion will be posted, and you get it all before it is released. There is a 25% discount on print books. You also get what I call ONE STEP FORWARD—one writer’s journey in this business of writing. You also get a birthday shoutout video from me and your name goes in the Great Big Page of Appreciation at the end of my books. Again, all that depends on what tier you subscribe to. I absolutely must stress that. It’s not free. 

So, if you are here, I thank you. You’ve taken time out of your life, from your daily activities, to come here and read my words. Thank you for your support, here on my Facebook page, and hopefully, over at Patreon.

On January 1st, I will share the link to the Patreon page. Why not now? It’s not quite ready yet, and it won’t be launched until January 1st. I hope you will consider checking it out, and subscribing to one of the four tiers. And please spread the word. Help me build this Patreon page. 

Until we meet again, my friends, be kind to one another and keep taking one step forward. It’s the only way you get anywhere.

A.J.