Which Way Do I Go, George?

It’s been a while since I’ve posted here. Like before, there is quite a bit of dust on the floor and furniture and cobwebs in the corners. Leave Herbie to take care of the place and look what he does.

First, I apologize for not updating Type AJ Negative much in the past month. Life has happened. I can honestly say this is the first time life has kept me from doing much writing and/or blogging.

Second, there is another reason for this. When I have sat down to write, I have struggled… mightily. I’ve never, ever struggled with writing the way I have over the last two months. I’ve completed one story in that time frame and have started only a handful of others.

Part of the problem is the conflict I have had between writing horror and my spiritual beliefs. No, the horror part isn’t the problem. The problem is the reality of storytelling. You see, in real life—the real life of the world today—things aren’t black and white and as easy to figure out as most of the fiction out there implies it is. They aren’t cut and dry and there are quite a few different shades of gray to fill in.

In trying to make my stories have a feel of realistic believability I’ve had to look at my characters from today’s standards. And that means a lot of my characters cuss and think things and do things that have become a direct conflict of my spirituality. I’ve been trying to rework that mind-think, but in doing so I lose some of the credibility of the characters. Once your characters lose credibility then so does the story.

When readers start saying things like:

Hey, that doesn’t make any sense.

Hey, he or she wouldn’t say or do that here. They would say &*$% instead of Golly whillakers.

For the record, I haven’t heard any readers say anything negative about my stories—I’m just having a hard time getting them to be realistic and keep all of the ‘nasty’ out.

I don’t like my characters to be one-dimensional cut outs of the real thing. I like for my characters to live and breathe just as if they were real. By doing so, many of them wouldn’t say darn or crap or any other non-profane word. And let’s face it some words just don’t have the same emphasis as a cuss word.

That’s only part of the problem, though. The other part is that writing has become so much like a business I haven’t enjoyed it as much as I used to. I remember a time when writing was enjoyable, when I couldn’t wait to get in front of my computer, my hands on the keyboard and I would listen to the little narrator in my head tell me wondrous tale after wondrous tale.

Now the narrator is tired. He sometimes yawns when I think about writing. That’s not a good thing.

There’s a reason for that.

Did you all know I used to draw and do the occasional painting? No? Well, now you do. When people discovered this gift or talent or whatever it is, they wanted me to draw them things and paint them things and they started putting deadlines on when they needed those things done.

I stopped having fun with art because it became more like a job. Here’s the thing about losing the joy of something: once that happens, you may as well hang it up, brothers and sisters.

That’s what I did with drawing and painting. I got tired of it and stopped doing it all together.

Then writing came along, showed me how much fun creating stories could be, and I was hooked. It was as much fun to create a character and put that character through some gruesome or life-altering events as it was to sketch a picture of a horse galloping along.

I’m not so much hooked right now.

Writing has become a business, and one I’m not too successful at. At least, based on publications and fans and being able to crack the big markets. If you base it on those things I’m pretty much a failure at it.

Now hold on a second, you say. Your book has received great reviews. Your zombie series has a lot of comments stating how good it is.

Yeah, I know. All those things are great. Ask the editors, though, and my stories are not as action packed as they would like. I get the same thing over and over again, right along with the rejection slips:

Not enough action. Not enough action. You need more action right at the very beginning of the story. Not enough action…

Action. Action. Action. That’s all the editors and publishers want these days.

Yet, the readers say just the opposite. The readers like the way I write—either that or they’re all lying to me. I would like to think that I am being told the truth.

Folks, I’m not an action, action, action sort of writer. I’ve tried it and I absolutely hate it. I’ve always let my stories develop themselves. I’ve always let that little narrator sitting in the center of the creative part of my brain dictate what I write and how the stories should go, even if some of them turn out a tad on the weird side.

There is a conflict of interest going on here. You see, if I want to be published on a much more regular basis (and believe me, I do), I need more action, less development—I need to get right to the point. Or so many of the editors say. However the readers—the people I want to reach—say just the opposite. They seem to like the dabs and dots of conversational writing—a style I enjoy—and character development. I don’t get complaints from the people who are most important: the readers.

I sat down to write this Sunday night—it was nearing midnight by that point and I was tired. I went to bed, having not finished it. When I got up today, I went through the same morning ritual I have on all of my days off. When I finished those things, I checked my e-mail. In it was one of those e-mail subscriptions that I, well, subscribed to. It’s called The Minimalists. Today’s topic? Too Much Branding These Days

Of course, this got me to thinking.

As a writer, if I force myself to write in a manner I don’t enjoy, then I’m not being true to myself or to you, the readers. If I try to write all action, action, action, then my stories will be flat, one-dimensional and just plain lousy. If I write for editors and publishers, then I’m no longer being myself and no longer writing the way I have come to learn the readers like. If I write to make money, then all I’m doing is branding myself.

I’ve always tried to be different in my writing, to not be like everyone else, to write the way I want to, to write the way I enjoy writing.

Where does this leave me?

Take a look, if you will:

Here I am, standing, not at a crossroads, but at a fork in the road. The one to the left has a sign on a metal post that reads For Editors and Publishers. It’s shiny and the sign itself is made of aluminum, and let’s say it has a green border and big black letters that seem to glisten in the sunlight. It’s definitely the prettier of the two signs. The road is paved and there are green dollar signs marking every few feet along the way.

The one to the right also has a sign, but it’s on a wooden post and the placard is a worn piece of plywood that’s seen better days. It’s painted in white spray paint by an unsteady hand. That sign reads, For Readers. That road is not paved, but red clay and there are very few footprints along it, as if so few writers were willing to go down that path. There are trees that line the road, their branches overhanging and blocking out the sunlight. There are no dollar signs; there are no brightly colored placards.

For most folks, they would take that sunlit path and run straight down it. They would do what the editors, publishers and agents say to do. They would listen when they are told to change your style or you’ll never get anywhere in this business, kiddo. They would sacrifice the truth and honesty that readers want.

Here I stand and that Y in the road tells me I have to choose or I can go no further. If I turn back (which I’ve thought of doing a lot over the last year) then I quit. I give up writing, shut down Type AJ Negative, let Dredging Up Memories become just that: a memory. I give up my dream of being, not only a published writer, but also one that the readers want to read.

I have to choose. I have to decide if I go left, right or turn back. There is no other way around it. Left. Right. Turn back.

Last year I submitted queries to several places about publishing some of my work. I received one response. It was a question, asking if I were the writer who wrote this, that or the other. I replied yes.

That’s it. End of conversation.

I never heard back from them. I’m okay with that, now. I’m okay with the editors and publishers saying, action, action, action. I’m okay with it because I’m not changing who I am, what I write or how I write for them. I write the way I do because I enjoy it. I write the way I do because you, the readers, have told me you like that style.

This also means I won’t be submitting much of my work to publications anymore. There are a couple of places I will still send work to, but not many. I’m not an action sort of guy and if they want action, then I’m wasting, not only their time, but mine as well.

While I’m here, let me say, keep an eye out for Southern Bones—it will be my first real foray into the self-publishing venture. And if it goes well, then there may be a novel to follow.

My stories will change some, simply because you’re not going to see as much profanity in them as before. It’s not needed. If my writing is good enough, then the words will ring true.

There’s a few other things that I want to write on, but I’ve already been long winded.

Thank you for coming along into the dusty halls of Type AJ Negative.

Until we meet again, my friends…

A Reality Check and A New Plan

Hmmm…

Writers. We get stars in our eyes from time to time. We see what others are doing and we think, ‘hey, why can’t I do that?’ or ‘hey, why can’t I have that type of success?’

I don’t think that applies only to writers, but people in general. However, for writers, this business is tough and it’s easy to believe that if someone else can do it, why can’t we? Sure, it has become easier to get published, with the Internet and E-books and Web-Zines. The process is so much simpler than what it was even ten years ago. We don’t need big publishers or editors to tell us whether we’re good enough or whether readers will like our work. We can do it ourselves with self publishing now.

Readers have access to all sorts of books, just by turning on their computer and browsing from the comforts of their own homes. If they have an e-reader, then they can browse pretty much anywhere there is a wireless connection. Readers don’t even have to read anymore. They can listen to audio books while driving or working out or just sitting on their couch with their eyes closed.

Yes, the world of publishing has changed. Those changes are good and bad, but that’s not what I want to talk about today.

Just for the record, I’m in a relatively good mood. I’ve been listening to Third Day all morning and I’ve been developing a plan for a new e-book collection.

Wait, I’m getting ahead of myself.

Let me back up.

Last night, I was a little down. I’m not going to lie. I was down because the sells of my e-book collection, Along the Splintered Path weren’t all that great for the first quarter. The free download period was great–1400 downloads in that five day period. The sells, not so great. The negative to this is the sells were, as I’ve mentioned twice and this will be the third time, not what I thought they would be. But there are at least 1400 people who now have Along the Splintered Path on their Kindle or computer. That’s a positive in my… err… book. No pun intended.

The way I see it (and believe me, I struggled yesterday seeing it this way) is that the e-book has the potential to garner at least 1400 new readers. And I’ve always said I want readers. Sells would be nice, but without readers, you don’t end up with sells.

It’s a pretty simple equation really: Book + Readers = Sells.

Before I go any further, I would like to thank those people who bought Along the Splintered Path. I would also like to thank those folks who downloaded it during the free promotional week. It’s not lost on me that over 1400 people thought enough of my book, to purchase or download it. Thank you. Sincerely, from the top of my heart.

[[Side Note: I’ve never understood the whole bottom of my heart thing. I would think the most gratitude and love would come from the top of the heart. What’s left over was at the bottom, kind of like backwash in a cup. Yeah, yucky. I know. End Side Note]]

Here’s the real problem: I’m relatively unknown. Very few folks know about me and if that’s the case, then the readers aren’t going to be there and if those readers aren’t there, then neither are the sells.

1 Book + 0 Readers = 0 Sells

So, being down a little, I talked to Tracie McBride (a wonderful writer and really nice gal). We chatted about the business and she stated something I had thought and even read a few times at various web sites and forums: If you have a book out and people like it, then they might look for other things you’ve put out. That’s not how she said it, but I can’t remember it word for word. What it boils down to is if you want to try and get your name out there, then one e-book isn’t going to necessarily do it for you. You have to have a slew of things out there, places where readers can find your work.

You know, she’s right.

When you’re a virtual unknown, even in today’s world of e-books, you have to make your mark and for genre writers, such as myself, you have to really put yourself out there.

So…

Today I have begun the process of putting out a new book.

What? For real and for true?

Absolutely.

But, A.J., your sells haven’t been all that great.

Yes, you are correct. However, as a writer, I have to develop a fan base, no matter how small or large it is. If one reader out there likes my work and wants more of it, then I am obligated to that one reader. I hope it’s more than one, but if it’s not, then I want to entertain that individual.

I’ve said before that I wish to put out a collection titled, Southern Bones, and starting today I will be perusing my stories, both published and unpublished to find between eight and ten pieces to put together in an e-book.

I’ve already talked to a very talented artist about creating the cover. Just watching the way his eyes seemed to dazzle when I told him what I wanted made the blood flow a little faster. It got me excited, the way a new book by my favorite author does. Or the upcoming Lord of the Rings LEGOs.

There are a couple of other things up my sleeve, which is funny, since I rarely ever where long sleeves. But I’ll save those for when Southern Bones is closer to being released.

For the record, the stories that have been previously published that end up in Southern Bones will be reworked and probably overhauled before appearing in the e-book. In some cases, that complete rewriting will lead to much better stories.

Stay tuned. More updates as I go through the process of selecting stories and putting the collection together.

For now, I’m going to remind folks about Along the Splintered Path. This three story e-collection was released in January by Dark Continents Publishing and can be found at Amazon here.

Pick up a copy, give it a read. If you have, please leave a review. It is much appreciated by me and all the voices in my head, including Herbie.

Right now there are no stars in my eyes. Only reality. There are things I want to accomplish in this business. In order to do so I have to think reasonably and I have to get more work out there. I’ve always told folks, the only way to get better at something is to work at it. The same goes with sells of anything. If you want it to do well, you have to put it out there.

That’s part of the plan, at least for now.

Until we meet again, my friends…

Photobucket

In Praise of Small Press, A Guest Blog by Tracie McBride

Most writers who reach a certain point in their writing career will ask themselves the following questions:

Should I pursue a contract with a publishing company? Or should I self-publish? Or should I place a bob each way and try to do both?

If you decide to go down the self-publishing route, then to do so you’re going to need either very deep pockets or very talented and generous friends. You might already possess the extensive skill set to successfully get your book to market and to do it well, but that is unlikely. Otherwise, prepare yourself for a mighty steep learning curve.

Let’s assume you’ve already honed your craft to the stage where your work is worthy of publishing. No matter how good you are, it will still need editing. And once it has been edited, it’s a good idea to have it proofread as well (contrary to popular opinion, editing and proofreading are not the same things). This is so important, it bears repeating, in bold and italics:

No matter how good you are, it will still need editing.

There might be some freakish individuals out there who are capable either of turning out a perfect manuscript that requires no further polishing, or who are capable of turning a wholly objective eye on their own work and effectively self-editing. I’ve never met any of those people. I’m going to go out on a limb here and say that, if you’re reading this, you’re not one of those people either. I’ll go a little further out on that limb (it’s thin and bendy at this point, and just about to snap off and dump me on my ass) and say that, if you’re one of those self-publishers who neglects this stage altogether, then you’re doing your readers, your fellow indie writers and the craft of writing itself a grave disservice.

OK. So you’ve found yourself an editor who is both good and affordable, and after a few months’ work (it’ll take at least a few months, because it’s highly likely that neither you nor your editor has the time to devote your entire attention to just this one manuscript) your book is as good as it can be. Now you need cover art. But you’re a competent graphic designer as well as a good writer, so that’s going to be easy…

Oh. You’re not a graphic designer? Then you’ll either have to find one (and probably pay one), or learn how to do it yourself. Your cover design can be created fairly quickly and inexpensively using stock images purchased off the internet and a good quality graphic design program. If you want customized artwork on the cover, that could cost you more (or you could call on those talented and generous friends mentioned earlier). This stage of the book production process needn’t be difficult to get right, but get it wrong and your book could languish forever unsold in the bowels of Amazon.

Once you have your manuscript and your cover design sorted, you have to lay out your book for publication. Resources abound on how to format your book as an e-book, but even this can give you headaches. If you want your book published in paperback, then the interior layout is different again.

And once all of the above is accomplished, you still have to sell the thing. Simply listing your book on Amazon and hoping it will sell on its own is not going to cut it. Anecdotal evidence suggests that successful indie writers spend just as much time promoting their work as they do writing it.

Let’s review the list of skills involved: writing, editing, proofreading, graphic design, layout, e-book formatting, marketing and promoting… Are you overwhelmed yet?

If your book gets accepted by a publisher, then they’ll take care of everything except for the writing part. Sounds much simpler. Except that for your manuscript to be considered by a major publishing house, then you’ll need an agent. And getting an agent involves…sending out a lot of query letters, L-O-N-G waiting periods for answers that will more often than not be “No”, and still no guarantee of publishing success even if you do manage to secure that elusive representation.

Which is where the small press comes in. Small publishers offer most of the services that big publishers do, except they’re…well, smaller. They might not pay advances, but you don’t have to go through an agent to get to them, either. Small press publishers usually specialize in a particular genre, and they do so because they genuinely love that genre. Their primary reason for running a small press will not be money (although making money certainly helps!); because they’re not as concerned with the bottom line, they’re more inclined to take creative risks and to sign the relatively unknown writer or to accept the commercially unusual concept novel. They will probably be run by people who are writers themselves, so they understand the process and understand what you as a writer need from them. They will most likely be active in genre fandom; you’ll see them propping up the bar at conventions, and they will represent your book to the best of their ability when awards time rolls around.

Most importantly, once you sign with a small press, you become part of their family. They will remember your name, your partner’s name, the name of your kids and your pets. They will see you, not as a row of dollar signs, but as a talented and worthy individual.

So in the tussle between indie authors and publishing giants, spare a thought for the little guys, the small press, working away tirelessly to bring your book into the world. You might even want to support them by buying a book or two…

*****

Photobucket

Tracie McBride is a New Zealander who lives in Melbourne, Australia with her husband and three children. Her work has appeared or is forthcoming in over 80 print and electronic publications, including Horror Library Volumes 4 and 5, Abyss and Apex, BULL SPEC, Dead Red Heart and Electric Velocipede. She won the Sir Julius Vogel Award for Best New Talent for 2007. Her short story and poetry collection “Ghosts Can Bleed” was released in April 2011 by the writer’s co-operative Dark Continents Publishing, of which she is vice president. She welcomes visitors to her blog at

The Exquisite Corpse

Also, check out Tracie’s books.

Photobucket

Ghosts Can Bleed

Dark Continents Publishing

Photobucket

April Fool and Other Antipodean Horror Stories

It’s Not Easy Being A Writer…

For those who follow this blog of gray walls and black words and a little blood spatter here and there, then you know that recently I have been on a Terrible Minds kick. I preface this piece letting you, the readers, know about Chuck Wendig’s blog titled, 25 Things A Writer Should Stop Doing. If you want to read Mr. Wendig’s post covering these 25 things, then follow the previously posted link (preferably after you finish reading this post).

His words are on the money—all 25 pieces of advice holds water better than a bucket on a rainy day. Every couple of days I go back to this post and read it and each time I think, ‘man, he is so right on this and that… oh and that, too.’

So tonight, after having read the article yet again, I want to tackle another of Wendig’s nuggets of advice. This one may be one of the top five:

Stop Thinking It Should Be Easier

It’s not going to get any easier, and why should it? Anything truly worth doing requires hella hard work. If climbing to the top of Kilimanjaro meant packing a light lunch and hopping in a climate-controlled elevator, it wouldn’t really be that big a fucking deal, would it? You want to do This Writing Thing, then don’t just expect hard work — be happy that it’s a hard row to hoe and that you’re just the, er, hoer to hoe it? I dunno. Don’t look at me like that. AVERT YOUR GAZE, SCRUTINIZER. And get back to work.

There are two types of people—and no, I don’t care what anyone else says about it. There are those who work and there are those who are lazy. Period. Sure, you can say there is an in between, but honestly, there isn’t. You either work or you don’t. Whether that is at a job or at an artistic endeavor or at being a housewife or househusband (yes, there is such a thing), its still work. For those who make an honest living out there, I commend you and thank you. For those who don’t, well… unless you have a legit reason, you and I may not get along that well.

[[Side Note: With today’s economy being in the suckage hole, please understand that I’m not referring to those people who had jobs and lost them of no fault of their own. I’m referring to those folks who would prefer to sit on the sofa watching soaps all day and not out looking for a job and probably haven’t held one in a while because they’re lazy and prefer for folks that do work to pay their way. End Side Note]]

We live in a world of entitlement these days, a world where people think things should be handed to them instead of having to work for them. Those folks–those entitled folks–make me want to punch something… oh wait, they make me want to punch them.

Enough talk of violence. I’ll just punch someone in one of my stories…

Writing is not easy. Okay, maybe the writing part is somewhat easy. It’s everything else that isn’t. And, if you want to become a published writer everything is ten times harder. (Oh, I see those out there saying, ‘it’s not so difficult for me.’ Fine. Then you are the blessed half percentile.)

You have to:

First write the story
Edit
Re-write
Edit some more
Re-write again
Edit, yet again
Re-write
Proofread (ah, you thought I would say edit again, didn’t you?)
Research markets (often meaning you have to purchase a few books/magazines to garner an idea of what they like)
Find the right market for your work
Read the submissions guidelines (and hope they make sense)
Format the manuscript
Write the query letter/submission letter
Oh, wait, you better proof that story again
Make changes yet again
Make sure you formatted the manuscript right since you made changes
Don’t forget to change the word count
Attach the file (or send it via snail mail)
Press Send
Then wait
Wait some more
Still waiting, are you?

And that’s just for a short story.

That doesn’t even touch on sending out a novel, which involves so much more, including finding an agent, writing a really good query letter and synopsis of the novel and finding someone else to edit and proofread the manuscript. Oh, and the long waiting period…

If you are a writer, then you better be prepared to work for it. No writer gets anywhere by being lazy.

What if one of your short stories gets picked up? Well, you can’t just sit on it, can you? No. You have to tell the world about your publication. You have to let everyone share in your success. Do you have Facebook? Twitter? Google+? Anybeat? Guess what? You have to go shout it from the rooftops on these various social platforms. It’s kind of like those kids back in the old days that would stand on street corners selling newspapers:

EXTRA, EXTRA READ ALL ABOUT IT. MR. WORKSHARDALOT HAS A STORY PUBLISHED. EXTRA, EXTRA.

Go ahead, laugh, but it’s true. No one gets anywhere in this business without spreading the news. Also, word of mouth goes a long way. If you post a link to your story or where to buy it and someone sees it and likes the story, then chances are, they will repost it on their social media platform of choice. By doing so, the word spreads that Mr. Workshardalot wrote a good story and, by golly, you should check it out.

Do you have a blog and have 18 followers, as I do? Hey, that number has gone up recently. If so, then you need to post on your blog that Mr. Workshardalot made a sell and be proud of it. And don’t just throw that blog up without editing it and making sure it reads right and making sure any applicable links, italics, bolds and videos and images show up in the PREVIEW section. Yes, more work.

Promoting and marketing may seem easy, but after posting on Twitter, Facebook, Myspace (if you still have one of those dinosaurs), Google+, Anybeat and any number of writer forums you may belong to, as well as posting to your blog (which, by the way, you will want to post links to it at all those previously mentioned social networking sites) you will realize that you spent quite a few hours on that ‘easy’ task.

And this is all for one short story acceptance.

But, wait, I’m not done yet? Do you think your story will be accepted to the first place you sub it to? More likely than not, it won’t. More than likely you will have to submit that story to various places until some editor finds it worthy of their publication. That’s finding sometimes multiple markets to submit to.

There is also work that must be done after the acceptance and before the story comes out. There is the contract to read over–and make sure it sounds right in your ears. There is the editors edits that you have to go over and either make the changes or choose not to (but, be wary if you choose not too). There are proofs that need to be… well, proofed.

Being a writer is easy. Being a published writer is hard work. It takes dedication. It takes determination. It takes the epidermis of the largest elephant you have ever seen and maybe the tusks, as well.

Back when I first started out (which was only a few short years ago), it took me over a hundred rejections before I received my first acceptance. Did you get that? It took over a hundred submissions before someone thought one of my stories was worth publishing. At the time I thought it was the best thing that had ever happened to me. People will know my name and people will want to read my stuff and I can become famous and… oh, shut-up already.

I had no clue what it took to get my name out there. It’s a LOT of work. I wasn’t part of any social networks at the time and I was fairly bad at writing. Bad. Bad… Awful…

Thanks to some well timed advice I began to learn about writing, about how to write and about social networking (though I’m still working on that part). I had to work at it. Work. Work. Work.

Writing is fun–it is only second to one activity of the things I enjoy most. But, it’s a lot of work and if you think you can just waltz in here and start getting published without working for it, well, you better think again.

Before I go, let me add one thing to all of this work oriented talk. When you sit down to write, enjoy the process, enjoy learning about your characters and how they react to what is happening to them, enjoy letting the story unfold. If you enjoy the process of writing, it makes all the work well worth it.

Now, do you still think you want to be a writer? If so, get to work…