Blood Drops #1

10/22/2024

Back in April of this year, I submitted my first piece in a long while. It was a nonfiction piece that was sent to Memento Mori Ink. In complete transparency it was a requested piece, so submitting it might be a stretch, though it could have still been rejected. I also sent a story to a contest around the same time. The story didn’t win, but it was nice to send a story out with hopes it would get published. 

In May, I sent two pieces to Lisa Vasquez for Napalm Psalms. I knew only one would get picked but I wanted her to have a choice. She chose the better of the two and one of my favorite psychological pieces titled, Duality. I sent one story out in June that was ultimately rejected.

Sending out those five pieces created an itch I haven’t had in a long, long time. So, in July I set out to submit thirty-one stories, one for each day of the month. It was a lot of work, but I managed to meet my goal. That put me at a total of thirty-six stories submitted on the year. Umm … I haven’t submitted thirty-one total stories combined since 2011. 

Let me tell you, the rejections rolled in. I mean, seriously. I received thirteen rejections in the span of two weeks, almost one a day. It was disheartening, but I knew this would happen, Then I received an acceptance for the Weird Wide Web’s podcast for my story, She’s A Vampire, I’m A Hobo. When I heard the story (done by Lindsey Goddard) I got really excited. 

Since then, I have really dug my heels in, trying to find places for my work. There is one very big problem, though: I’m not really a horror writer anymore. Sure, I write some darker words on dark, real life subjects, but I don’t write what I feel is stereotypical horror anymore. I’ve experimented with different styles and genres (like mystery, romance and literary, as well as poetry).

Even though trying to find paying markets is a little frustrating, I find I’m enjoying sending stories out. I’ve also been keeping track of all of the submissions in a spreadsheet. So, here are the latest statistics on the year:

Submissions: 64

Responses: 45

Rejections: 32 (bummer)

Acceptances: 13 (Awesome sauce)

Acceptance Rate: 28.9%

The acceptance rate is really good. I was hoping for something between 20%-25%, so I’m happy with that number. Thirteen acceptances is more than I have had in any year since 2010, when thirty-three stories were accepted. 

Of those thirteen acceptances, seven have already been published. Below are links to those seven stories. Please take a few minutes to check them out. Some of them are free to read, others are parts of books or magazines, so, yeah, there’s a purchase price.

I’m A Hobo, She’s A Vampire at The Weird Wide Web Podcast. 

The Hook of Relatability at Memento Mori Ink Magazine (Nonfiction)

The Scarring at Exquisite Death

Darkness at Dark Descent, Whispers From Beyond Volume III

Treats at the Aver Residence at Wilhelm Presents Frightening Tales

Wave at Micromance (yes, this is a love story)

Duality at Napalm Psalms 

Thank you for stopping by. Also, thank you for taking the time to look over some of those stories. I’m excited to be putting out work again.

If you have a few extra seconds, please take the time to like the post, leave a comment and share it with your friends. I greatly appreciate it.

Until we meet again, my friends, be kind to one another.

A.J.

Deep Dive: The Scarring

I leave notes at the end of all my books (except for Beautiful Minds, because the notes are at the end of each story). They are generalized notes about each story, just a little something for you, the readers, giving you some insights on them. I’ve been wanting to go more in depth on some of those stories for several years. This is the first of those deep dives, and it’s about a story that was written in one sitting and has recently been republished at the website Exquisite Death.

This deep dive is for the story, The Scarring. It first appeared in my collection, Voices, released by Stitched Smile Publications in 2018. It’s one of the darker pieces, and maybe one of the more violent pieces I have written. It’s also one of the more misunderstood pieces and that is probably my fault. I’ll explain, but you’re going to have to stick with me for a few minutes. 

This is the note for The Scarring I left at the end of Voices:

You met the main character of this story as Nothing, the guy with all the scars and pent up hate and anger. I knew him by a different name when I started writing this piece. But a funny thing happened as I wrote this story: the main character didn’t want to use the name I had given him. He kept whispering to me, ‘My name is Nothing.’ Of course, I didn’t listen to him. Then he decided to stop the car and tell me to get out, just get out if I’m not going to listen to him.  

I was stubborn, as I’m apt to be. Just ask my wife, or really anyone who knows me. I was determined to use the name I had given him. He was determined to not cooperate until I called him Nothing. In the end, I lost the battle of wills. Here’s the funny thing: for the life of me, I can’t remember the name I had originally picked out for him. The use of his name wasn’t meant to be–he was meant to be Nothing. And so, he is.

This is a decidedly different story, one that is more telling than anything else. At least until the end. It also came about because of a scar on the palm of my left hand, put there by a nail over twenty years ago. Nothing like a hammer, a nail, and a rotten piece of wood.  

Before you go any further, if you have not already done so, let me encourage you to read the story at the Exquisite Death website HERE. Don’t, worry, you can click on the link and it will open the page in another window. Also, The Scarring is short, so it won’t take that long to read. 

Okay, did you read it? I hope so. That will make the rest of this make sense.

Seeing how I only really mentioned the name of he main character in my notes, it’s easy to see how some would think this story is solely about revenge. However, it isn’t. This story is really more symbolism than revenge. It’s about how we let the traumas of our past dictate our lives. Those traumas are like scars left behind either physically, mentally, or emotionally. Or all three. We can do one of two things with these events, learn from them or dwell on them. If we learn from them, we can move beyond them. If we dwell on them, as Nothing does in the story, then there is no moving on, we can’t be better, so to speak. 

To further illustrate my point:

I’ve been cheated on twice, both before I got married. The first time, I actually caught my girlfriend in the act. I didn’t explode or get mad like I thought I might if that ever happened. I just said, “Oh, hey, wait. Don’t stop. Y’all keep doing what you’re doing. I know my way out.” Literally, that’s what I said. I got over it pretty quickly. I mean, if she didn’t want me, then I didn’t want her. This was a case of not letting the trauma control me or dictate my actions.

The second time was a little more difficult. My then girlfriend broke up with me in April of that year. She never told me why, just “It’s over.” I had the hardest time dealing with that. Give me something. Did I do something wrong? I wracked my brain for months trying to figure it out. 

Turns out, I was wrong. I did nothing wrong. I found out in July that she had been having an affair and had … wait for it … gotten pregnant. That one … that one made me angry. You see, not only was she cheating, her roommate knew about it and covered for her. At that point, I was like, “F—k it. I can’t trust women.” For about three years after that, I wouldn’t give women the time of day. For those three years, I let the two women who cheated on me and the one who hid the truth from me, dictate my actions. I dwelled on it. I let the scars left behind by those women determine what I did when it came to other women. That was the wrong way to handle it. I bottled it up, didn’t talk about it, and it absolutely ate me up. That is, until my wife became the stars in my eyes, mind, and heart. 

Let’s look at The Scarring, now, and yes there are spoilers here, so it’s your last chance to scroll up, hit that link and read the story before continuing on. 

Nothing is asked if he loves. No. He hates. He does so because of how he was raised, how he was hurt, how he was scarred. The circumstances of his childhood were horrific, and that’s putting it lightly. So, Nothing hates until Lena becomes the stars of his eyes, mind, and eventually, heart. Unfortunately, for Nothing to get beyond hate, he had to address the root of that hate, and that was his father. He does so violently and with Lena’s somewhat unwilling involvement. At the end he asked do you love one final time. He says Yes. Everything that had ever hurt him was no longer a part of his life and he no longer hid his scars. 

Before anyone yells at me saying I’m encouraging violence to solve problems. No. No, I’m not. Again, the story is very much symbolic of moving forward after trauma or letting trauma dictate what you do with your life. In Nothing’s case, the root of his trauma and his hate was his father and his scars—mental, physical, and emotional—had never been dealt with, which is why he was the way he was. It was never about revenge. It was always about letting go. The first instance of letting go is letting Lena see the scars. That was the beginning of dealing with it. Unfortunately, once he began Nothing could only let go in one way, a violent rage. The reason it ended the way it ended was Nothing suppressed every pain he ever had until he had to address it. By then, he saw only one way to do that. In reality, that was the wrong way. 

The moral of the story is simple: don’t let trauma in your life get to the point of where the only thing you can do about it is do something drastic, either to yourself or someone else. Address trauma head on. Seek help. See a therapist. But don’t suppress it to the point of boiling over and exploding. That never ends well.

Thank you for coming along for this deep dive. I hope you enjoyed it. If you don’t mind, please drop a like and leave a comment. I would love to hear your thoughts.

Until we meet again my friends, be kind to one another.

A.J.

The Scarring, An Excerpt

Screen Shot 2018-01-06 at 2.26.45 PMThe following is an excerpt from The Scarring, one of fifteen stories in the collection, Voices. You can find Voices on Amazon here, or you can contact A.J. Brown directly at 1horrorwithheart@gmail.com if you would like an autographed print version of the collection.

The Scarring (an excerpt)

On the bed lay the drunken man, his eyes wide and bloodshot. They darted from side to side. His mouth opened and closed like a fish out of water, but he only managed a few strangled croaks. His arms and legs were bound to the bedposts with ropes. He was as naked as the day he came into the world.
“Do you hate?”

“Yes.”

###

The first scar came at the age of eleven, courtesy of an angry father and a bottle of whiskey. He had ducked when the old man threw the bottle. It shattered against the wall, slivers of glass spraying back at him, along with the remainder of the caramel-colored liquid.

Voices Promo 1 The ScarringHe probably wouldn’t have been scarred if only small pieces of glass had pricked his skin. If not for the old man’s follow-up to the bottle toss, he would have been just fine. But the old man chased the broken glass like a beer at a drinking party, and the smack to the back of the head was unseen. He—Nothing was his name—went sprawling backward, hands out behind him, a heavy sting on the side of his face. A gash appeared from mid-forearm to elbow when he landed among the shattered glass.

Nothing bled. He cried, and as he did so, his father wailed on him, telling him to “clam it up, boy, or I’ll clam it up for you.”

Mom stitched him up with a sewing needle and thread as thick as fishing line. Nothing wasn’t sure which was worse, the initial slice of skin by glass or the constant poke of the needle and tug of thread.

The skin puckered over time, leaving a pink welt of flesh that grew as he grew, never shrinking, and a constant reminder …

Voices, The Interviews: Lena and Nothing

SPOILER ALERT * SPOILER ALERT * SPOILER ALERT * SPOILER ALERT

Before reading today’s post, I want to tell you about our continuing project. In the coming months one character from each story in my collection, Voices, will be interviewed by Lisa Lee with Bibliophilia Templum. 

No, this is not your typical interview session. What I want to do is make each interview like a story, one that continues until we reach the end. Some of these are going to be short. Some of them might be long. I don’t know. Like you, I will find out just how long each interview is based on the questions Lisa provides me. I don’t know the questions ahead of time and neither do the characters.

Since this is an interview, I will go ahead and say up front there are spoilers in each session. If you have not read Voices, I urge you to do so before continuing (you can pick up a copy here). If you haven’t read the collection, you have been made aware of possible spoilers. 

You can also read the first two sessions here:
Session 1: Spencer 

Session 2: Mr. Worrywort

One more thing: if you have read Voices and would like to ask a question of today’s character, leave a comment at the end, and I will see about getting an answer from the character for you. Don’t be shy, ask your questions. You may get an interesting response.

SESSION 3

Lisa looks away from where Mr. Worrywort slinked off to when she hears a sound. A young woman, possibly in her early twenties, but maybe even in her late teens, rights Mr. Worrywort’s seat and sets it back in the U. Others watch her, but say nothing. She is pretty, a blonde with sharp cheekbones, thin lips and hauntingly beautiful blue eyes. Her hair falls to the middle of her back and when she leans over to set the chair right it looks like a yellow veil has been placed on her head. She is petite, but not brittle in appearance. In truth, Lisa finds her very pretty, strikingly so. 

“Thank you,” she says to the young woman.

“You’re welcome.” She is polite and gives a slight curtsy with her statement.

“What’s your name?”

Screen Shot 2018-01-06 at 2.26.45 PM“Lena.”

Ahhhh … Lisa thinks and looks around at the faces of the other characters. She had expected Nothing to be here, not Lena, but she doesn’t see anyone who might fit his description. 

“Hello Lena.”

Lena nods, “Hi.” Her cheeks turn pink and she looks down at her hands. She twists several of her fingers together, almost as if she wants to turn them into knots.

“You’re … umm … you’re Nothing’s girlfriend, right?”

The pink in her cheeks darkens to two blossoms of red. “Yes, Ma’am,” she says without looking up.

“You know, Lena, you and I have something in common.” 

 Lena looks from her hands up at Lisa. Their eyes meet and Lisa sees the clear blue of Lena’s and it almost takes her breath away. 

No wonders he loves her.

“We do?”

“Yes. We both believe in loyalty.”

Lena doesn’t respond to this.

“You are very loyal to him, aren’t you? Loyal to Mr. Nothing?”

It sounds weird in her own ears. Mr. Nothing, as if the boy this girl loves is nothing … nothing to her, nothing to anyone. Adding a prefix to his name doesn’t change the way loyalty to nothing sounds to her. A tinge of sadness touches her heart. 

Lena shrugs. She is looking at her hands again. 

“Loyalty is … loyalty is good. It’s a good thing, Lena. Don’t you think so?”

“I guess.”

Lisa take’s a deep breath, let’s it out as a loud sigh. Just ask her the other question.

“So, Lena, I was wondering, are you actually into his fetish for cutting and scarring, or do you participate in it out of loyalty?”

Lena’s bright blue eyes grow wide, her mouth drops open. She closes it, then shakes her head. “I … I …what?”

“Do you not understand the question?”

Lena nods. “I … I understand it, but it’s … it’s not a fair question.”

“It’s not?”

“No.”

“Okay, okay,” Lisa says. 

“You wouldn’t understand.”

Lisa smiles softly. Maybe I shouldn’t have been so direct. “Look, I do understand what happened. I really do. But, what is in your past that you would embrace a relationship with someone like him?”

“Someone like him?”

“Yes. Someone like him. I mean, do you even know his real name?”

“His real name?”

“You know, he has to have an actual name. Nothing? Really? Is that his real name? It can’t be.”

“I … I …” She looks around. Her hands clench together. Lena’s neck twitches. She bites her bottom lip and one of her feet bounces on the floor. 

She’s freaking out, Lisa thinks. She starts to speak, to try and calm the young woman down. “Lena, it’s okay …”

The door opens. In steps a tall young man. He is lanky and has no hair. A loop earring is in his right ear. He wears a long-sleeved gray shirt buttoned all the way to his throat, and baggy black pants. There are no shoes on his feet. There’s a puckered scar along his chin and others pocking his cheek and neck, and one directly under his right eye. He closes the door gently behind him and walks over to the U shaped group. He grabs the chair Lena had righted minutes earlier, the one Mr. Worrywort had cast aside when he abruptly stood and slinked off to the corner where he, no doubt, sits, staring and listening to the voices of the rest of the participants in this … group interview. But is that what it is? Lisa isn’t too sure. She thinks it is more like a group therapy session, with each person here dealing with their own demons, trying to escape their own pasts, escape their own presents, and maybe forget their own futures.

The young man picks up the chair and walks down a few spots. He looks at the guy sitting next to Lena. “D’you mind?” he asks and nods for the kid to move down. The boy says nothing, only moves his chair to the right. The person next to him does the same; all of them do until the gap left from the empty spot Mr. Worrywort had vacated is closed. The young man sits down, looks at Lena and takes her hand. 

“It’s okay, Baby,” he says and he sounds like he is not just in love with her, but is her protector, maybe even her savior. Or maybe it is the other way around.

“Mr. Nothing, I assume. Good of you to join us.”

Nothing looks at her, but there is contempt playing on his face, a sneer on his lips. Like Lena, his eyes are captivating. Unlike Lena’s, his are green. He looks back at the pretty girl, whispers something to her. She whispers back, then cast a mournful glance toward Lisa.

“Why?” he asks Lisa.

He catches her off guard with his sudden question. It strikes her as an accusation, as if she has done something wrong, and not him, the young man who mutilated his father with the broken neck of a beer bottle. “Why what?”

“Why did you try to hurt her?”

“I wasn’t trying to hurt her. I meant no offense. Really.”

He whispers to Lena again. She nods, but she doesn’t smile.

“You have questions?”

“Yes.”

“I do, too.”

“Okay, Mr. Nothing—“

“It’s Nothing. Just Nothing. No mister, no last name. Just Nothing.”

“Okay. Nothing it is,” Lisa responds, then adds, “I was actually hoping to get to speak with you.”

“I’m here.”

“Okay,” Lisa says and licks her lips. She wishes she had a notepad with a list of questions on them, but she hadn’t been prepared to step into the room, not like this at least. “Like I said to Lena—“

“Do you love?” Nothing asks, interrupting her. 

“Do I love?”

“Yes. Do you love?”

“I love my husband.”

“No. Do you love?”

Lisa shakes her head. “I just told you I do.”

“You said you love your husband.”

“I do. Very much so.”

Nothing laughs. “You love … a person. But do you love?”

“Yes. I love. Deeply.”

Nothing and Lena exchange glances. One side of her lips curl up. Her eyes aren’t quite dazzling, but Lisa sees something in them that could be good for her. 

“Ask your question,” Nothing says.

“Okay. As I was telling Lena, I understand why you felt the need to do what you did.”

“What did I do?”

“Excuse me? What did you do?”

“Yes.”

“You killed your father.”

“You understand what that is like?”

“I said I understand why you needed to kill him.”

“How? How could you know that?”

“I just do.”

“How?”

“I …”

“How!?”

“There’s only one way I COULD understand isn’t there!?” She clenches her teeth. She fights back the urge to stand and walk up to Nothing. She fights the urge to slap him hard across his pale, scarred face. She fights the urge to say ‘screw it, I’m done,’ and leave the interview and not look back. She can. She knows she can, but she doesn’t. Instead, her jaw relaxes and she takes a deep breath, letting it go before speaking evenly, “I apologize for the outburst, Nothing. I won’t claim my … um … history is quite the same as yours, but I do understand the impulse, the desire to fix something or right a wrong or just get good old fashion revenge on someone. I just never would have followed through with such compulsions. All I really want to know is … why? Why would you follow through with it?”

Nothing eyes her. His jaw moves from side to side. He is leaning forward in his chair, his elbows on his knees. Lisa sees him then for who he is: a scared child just looking for love and acceptance. 

“You say you understand.”

“I do.”

“Then answer me this: Do you hate?”

It’s Lisa’s turn to laugh. She brushes a lock of dark hair from her eyes. She is not smiling when she responds. Even if she wants to, she doesn’t think she can. “Do I hate? Oh, I did. Oh, I most certainly did. And sometimes I still do.”

Nothing nods. “Me too.”

“The difference between you and I is I never let it consume me. I certainly could have, maybe even should have. But I didn’t.”

Silence fills the room. With the exception of a gleeful laugh from Mr. Worrywort in the corner, there are no sounds to be heard. 

“It’s your turn to answer my question: why did you follow through on your compulsion to kill your father?”

Ten seconds pass. Twenty more follow. A full minute of silence ensues. Nothing stands. He unbuttons his shirt and slips it off his shoulders, dropping it to the floor. He wears a white t-shirt now. He pulls this off as well. There are several audible sounds of disgust and wonder and shock from the other characters. 

Nothing doesn’t stop there. He unsnaps his belt and the button that holds his pants closed. He unzips and drops his pants. He steps out of them and stands before them as naked as the day he came into the world. Nothing lifts his hands out to his side and slowly spins around for each of them to see the multitude of scars lining his body, the puckered, discolored skin that will never be smooth again. 

When he has come full circle, he bends down, picks up his pants and slides it back on. He sits down, but doesn’t move to put either of his shirts back on. 

“This is me. This is who I am. I am hate. I am nothing. And he made me this way.” He pauses, looks at Lena. She nods. The look on her face is hopeful, like a mother’s would be if her child was afraid of something and finally facing it. “He was my hate and as long as he was alive, I could never love.”

“Why involve her?”

A smile, genuine and warm, crosses his face. “Because she is my love. Without her, I couldn’t have faced him and I would still hate, not just him, but myself, my life. Now … now … I love.”

“I can see that,” Lisa says. It’s true. She does see what most probably have never glimpsed. She also knows a truth she didn’t before. It is Lena who helped Nothing overcome his fear, overcome the monster that had stalked him his entire life with words of hate and loathing. It wasn’t his idea to kill his father. It was hers. And he had followed her lead and allowed her to scar him, not the way his father had, but with their version of  affection. “I have one more question, if that is okay?”

“What is it?” He is holding one of Lena’s hands now. His leg is next to hers, his foot touching hers. There is no doubt in Lisa’s mind that they are meant to be together, that they are destined for one another. 

“Nothing, what is your real name?”

He stares at her, as if contemplating the meaning of life. Lisa thinks he knows the meaning. It is love and not much more.

“Honestly, I don’t know. I thought I might remember after he died, but I don’t. As far back as I can remember, my father called me nothing, so nothing I became. I am Nothing. No one else. There is no other name.”

Lisa smiles at this. It is a truth, and if not, then it is the truth she will take with her when this is over. “Fair enough, Nothing. Thank you for your time. And, Lena, thank you, also. If I upset you, I’m sorry.”

“It’s okay.”

Nothing and Lena look at each other, their eyes lock and remain that way for several seconds. Finally, Lisa pulls her own gaze away and settles them on the next person she has questions for …

To be continued …